""Fight Club" + "Casanova" + "War of the Gods" + "300"", this is the earlier media's judgment on this film. However, like director Tasim Shin’s two previous works "Invasion of Brain Cells" and "Falling", on the one hand, this film presents a very personal style in terms of visual effects. The contrast between light and dark and the color collide, making it gorgeous; at the same time, the styling design reveals an extremely stunning mix and match pioneer style. Mickilock plays the tyrant monarch's prawn-style helmet and golden mask, and the female prophet's red floor lamp shape. As well as the 囧雷 dress of the Olympus gods, their creative index can directly kill Aunt Lei Di Gaga. But if you are familiar with the director's previous work, you won't be so surprised. This Indian graduated from the American Art Center School of Design is a modern artist himself. In addition to having a lot of experience in shooting MVs (mostly rock and roll, New Century and other alternative bands) and advertising, he also involves installation art and In the field of experimental electroacoustics, he himself has a different understanding of clothing culture, which can be seen from his debut novel "Invasion of Brain Cells".
Although Tasim, who made his fortune under the banner of the visual department, has his own unique understanding of the language of images, the film starts with the grand religious allegory propositions, trying to interpret the classicist Baroque symbols such as human beliefs, spirits, and heroes. Symbolism. This annotation, which has long been missing in the current commercial film context, makes the film sell the spectacle of visual effects while also covering a rather sacred veil, but this also directly leads to the film’s details and rhythm processing seem trivial and dull. , Full of preaching; the actors in this narrative tone are innately masked, just like the villain nation in the film, swinging between tune and tension. The plot does not burn, and the development of the plot lacks the necessary atmosphere to create. It consumes the pleasure of watching movies in a tight and slow time. The climax scenes are unevenly distributed, and the big scenes are extremely limited. You can even get a glimpse of the essence in the trailer. Although the film is based on Greek mythology, friends who have a little understanding will realize that only some characters and frames are borrowed, and more of it is derived from the director's own fictional fantasy, while trying to play with the heavy taste of violent eroticism. Still have to think deeply about man and God. God fools people, people spurn God, and eventually love each other and go back to each family to find each mother. The ultimate innocuous fable is also a dialectic of evil taste.
In an age when nothing is so important, at least you can ask God-are you worthy of all human beings to give you everything? Although this is somewhat funny, and it is easy to make people feel HOLD.
[Tianya Premiere] "Shocking God of War": Dialectical Theory of Flavored Fantasy Myth
http://www.tianya.cn/publicforum/content/filmtv/1/335371.shtml
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