Fucking

Casimer 2021-10-22 14:35:37

Witch Carrie, from the point of view that her character determines her destiny, she was almost forced by her mother.
The girl is ugly and not ugly, a bit pocky, but the pockmarked child in Jason Stason's "Death Express 3" looks pleasing to the eye, and there is no cross-eyed. When I was studying, there were some girls who looked bad but played well in the class, but they had very good personalities. As a classmate, they talked about the world from time to time, and they were still welcoming.
Witch Carrie, the illness is not in her looks, but in her psychology. In a less tender way, a person is always crazy, sneaky, fussing, hypersensitive, and will not be likable in any environment, and the reason why Carrie has become such a girl can't be separated from the influence of her perverted mother. The mother strictly followed the teachings of Christianity and controlled her daughter Carrie's life in a very powerful way. Even the normal physiological reaction of the body like the aunt was considered a blasphemy of loyalty. Carrie grew up as a closed girl in this family environment, with no friends or social circle, and she was always ridiculed and ridiculed by others, which inevitably led to the final tragedy of the film.
I don’t see many works by Stephen King. I have seen a few of them have a character like the old 38, and they are all religious. There is one in "The Mist", and this "Witch Carrie" also has it. The resentment is deep.
The film has great influence in the United States, and the story is also one of Stephen King’s iconic works, but in the eyes of our Chinese audiences, it is a bit of a reputation that is actually difficult. In my opinion, the reason for this phenomenon is that people in the two places have different understandings of personal freedom in the process of growing up. American culture believes that parents’ overpowering guidance and control of their children violates human rights, while in the eyes of Chinese parents Strict or even harsh discipline for children is a matter of course, so the same film is naturally more touching to self-seeking Americans, and it is also easier to be shocked.
Speaking of which, people in the growth environment like Carrie in the film are rare in European and American countries where the social level is relatively good. In this country, more people are suppressed by the living environment in the process of growing up, and eventually become all kinds of people. All kinds of people, many of whom are forced by mothers, continue to force people in the future.
The film reflects the psychological state of people when the two mindsets of being controlled and alienated are mixed, and it is finally displayed in a wave of exaggeration through the explosion of the witch Carrie. The film is tepid, but the story is very complete. It is very clear and basically meets my expectations.

Another: I accidentally saw Uncle Travolta when he was young, who was quite pink and tender.

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Extended Reading
  • Leopold 2022-04-21 09:01:27

    Busted my "older version is better" superstition. Barely speaking the language of the lens is somewhat nice. But too retarded. Too timid. Too conservative. In terms of characterization, a lot of wonderful details in the original book are left idle there. The adaptation of the new work, the Jesus shape is very ironic, and the end makes the carrie very weak. Hey.

  • Christa 2022-04-23 07:01:26

    This film is the ultimate interpretation of the concept of "cruel". And Carrie in a sense other than what happened to her mother and her. . She is my avatar. . . . This is the first horror movie that made me choked up a bit

Carrie quotes

  • Tommy Ross: [points to a humiliated Carrie after the pig's blood is spilled on her; his voice is blocked out but viewers can clearly read his lips and tell that he is upset and shouting] WHAT THE HELL?

  • Margaret White: He's not coming.

    Carrie: He is coming, Mama. Now stop it. I'm nervous enough.

    Margaret White: No, he's not coming. He's not gonna come.

    [scratches her own face]

    Carrie: Go away!

    [Margaret slaps herself]

    Carrie: Stop it, Mama!

    [Margaret pulls her own hair]

    Carrie: Stop hurting yourself, Mama!

    Margaret White: He's gonna laugh at you. They're all gonna laugh at you!

    Carrie: No one's gonna laugh at me, Mama.

    Margaret White: Stay here with me.

    Carrie: I don't want to stay here with you, Mama. Now sit down and be quiet.

    Margaret White: I'll go downstairs, I'll answer the door. I'll tell him that you're sick. I'll tell him that you changed your mind.

    Carrie: [forces Margaret onto the bed] SIT DOWN AND BE QUIET!

    Margaret White: [gets up from the bed] Listen, I'll tell him that you changed...

    Carrie: [forces Margaret onto the bed again] SIT DOWN! Just sit there, Mama, and don't say a word until I'm gone. I'll be home early. I love you, Mama.

    [she leaves]

    Margaret White: Thou shalt not suffer a witch to live.