Fucking

Casimer 2021-10-22 14:35:37

Witch Carrie, from the point of view that her character determines her destiny, she was almost forced by her mother.
The girl is ugly and not ugly, a bit pocky, but the pockmarked child in Jason Stason's "Death Express 3" looks pleasing to the eye, and there is no cross-eyed. When I was studying, there were some girls who looked bad but played well in the class, but they had very good personalities. As a classmate, they talked about the world from time to time, and they were still welcoming.
Witch Carrie, the illness is not in her looks, but in her psychology. In a less tender way, a person is always crazy, sneaky, fussing, hypersensitive, and will not be likable in any environment, and the reason why Carrie has become such a girl can't be separated from the influence of her perverted mother. The mother strictly followed the teachings of Christianity and controlled her daughter Carrie's life in a very powerful way. Even the normal physiological reaction of the body like the aunt was considered a blasphemy of loyalty. Carrie grew up as a closed girl in this family environment, with no friends or social circle, and she was always ridiculed and ridiculed by others, which inevitably led to the final tragedy of the film.
I don’t see many works by Stephen King. I have seen a few of them have a character like the old 38, and they are all religious. There is one in "The Mist", and this "Witch Carrie" also has it. The resentment is deep.
The film has great influence in the United States, and the story is also one of Stephen King’s iconic works, but in the eyes of our Chinese audiences, it is a bit of a reputation that is actually difficult. In my opinion, the reason for this phenomenon is that people in the two places have different understandings of personal freedom in the process of growing up. American culture believes that parents’ overpowering guidance and control of their children violates human rights, while in the eyes of Chinese parents Strict or even harsh discipline for children is a matter of course, so the same film is naturally more touching to self-seeking Americans, and it is also easier to be shocked.
Speaking of which, people in the growth environment like Carrie in the film are rare in European and American countries where the social level is relatively good. In this country, more people are suppressed by the living environment in the process of growing up, and eventually become all kinds of people. All kinds of people, many of whom are forced by mothers, continue to force people in the future.
The film reflects the psychological state of people when the two mindsets of being controlled and alienated are mixed, and it is finally displayed in a wave of exaggeration through the explosion of the witch Carrie. The film is tepid, but the story is very complete. It is very clear and basically meets my expectations.

Another: I accidentally saw Uncle Travolta when he was young, who was quite pink and tender.

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Extended Reading

Carrie quotes

  • Margaret White: [referring to Carrie's prom gown] Red. I might have known it would be red.

    Carrie: It's pink, Mama.

    [presenting her corsage]

    Carrie: Look what Tommy gave me, Mama. Aren't they beautiful?

    Margaret White: I can see your dirty pillows. Everyone will.

    Carrie: Breasts, Mama. They're called breasts, and every woman has them.

  • Chris Hargenson: I want you to do something.

    Billy Nolen: What?

    Chris Hargenson: Something important.

    [unzips Billy's pants and performs oral sex on him]

    Chris Hargenson: Oh, Billy. Billy. Oh, Billy. Oh, Billy. Billy. Oh, Billy. Oh. Oh, Billy. I hate Carrie White.

    Billy Nolen: Who?

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