I am glad to see that the focus of this film is not on the matter. What wes anderson has been playing with is the relationship between the characters, the relationship. The dislocation of the movie has become the highlight of this film. The interaction between children, young people and middle-aged people, children become very mature, and middle-aged people become the opposite, but all dislocations are very reasonable and unobtrusive. Presented artificially.
At the end, before the curtain falls, the child dances with his teacher, not Bill and the teacher are good, the two children are good. A little accident makes people happy to accept it. It's not like the actor's family in the movie 2 who raises other people's children and ends with that unhappy sophomore.
The plot makes people feel very cool is willing to kill its own bady. When the actor chased the teacher, several times, their relationship ended irretrievably. The title is rushmore, and he was permanently expelled from the school after he played half of the actor. This is almost the same as when half of the heroes in the movie die. Every sudden stop makes people totally unable to predict where the movie should go. Each wonderful continuation gives people new information, allowing the plot to deepen vertically rather than develop horizontally. Charlene, who is not struggling, wants to go to France from start to finish.
The camera moves slowly, and the performance and dialogue support a calm rhythm. Want to watch more of his movies
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