5000 dollars a week, at least four weeks, and then get the remaining 20,000 yuan. In 1998, a group of professional agents and mercenaries from special forces ate the Irish who couldn't afford a box. This act of licking blood was worth a mere 40,000 monthly salary. The world is pouring in. In contrast, in the HEAT in 1995, De Niro and his team were involved in armed robbery of money transport vehicles and vaults near LA. Their opponents were only weak security guards and local police, but their income was much higher. Was it the economic downturn in Europe at that time? In the 1990s after the Iron Curtain was removed, some former spy agents used means to spend money like the czars of Paris. Like the Russians, some mixed and became blue-collar workers and street gangsters, so they pretended to be ruthless. The role gangsters dare to pretend to be the former SAS. Driver Larry, tour guide Vincent, old Youtiao Sam, look at the three of them smoking and passing cigarettes, do they look like fellow workers who meet in peace but sympathize with each other? After the Cold War and before 9/11, Xiao Suo in the spy world can be compared with the era of samurai Luotuo. There is no need to be familiar with Shuhei Fujisawa or love Yoji Yamada, the director has arranged the characters to point out the story of the samurai or ronin. Ronin may have no owner, but he is not a profit-seeking person who casts aside his creed. Judging by today's standards, some plots of the film are not without reluctance, but the rhythm is smooth. The more old-school films are more emotional than rational, so there is no need to be too entangled with the issue of reality and rationality. Watching a play is too real and hinders the appreciation of the stuff. The long car chase paragraphs are indeed a bit too much, but they are beautiful, so beautiful. The realistic lens is by no means comparable to the special effects of today's full screen. Appropriately using the quiet old city as the background, people can even feel the panic of passers-by in the narrow alley when two cars pass by. Of course I knew it was filming when I watched it, but I would still sweat for the safety of the unknown stuntman. After all, special effects are too safe. The director's persistent pursuit is like the real kung fu of insisting on putting out a hard bridge and a hard horse in the era of sky full of power and sword aura, and its sincerity can be felt! The heroine is cute and she plays well.
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