Since the beginning of the 1930s, with real color, movies have moved towards the era of color. With the development of film and television technology, color has given film and television a brilliant halo; at the same time, color itself has become more beautiful and dazzling with the prosperity of film and television. As an indispensable way of expression of film art, color often makes the audience feel something beyond the storyline through the color layout and composition of the character scene space, the rendering of the visual atmosphere, the management of the picture composition, and the change of color movement. Content. In the ingenious operation, it forms convection with the audience, that is, the convection between the audience and the film content itself, which makes people experience a kind of illusion and true visual enjoyment. Color is an important means of film modeling, In Zhang Yimou's film, it has been brought into full play. Color appears as a lingo, no longer reproduces but expressive, and participates in the depiction of the character's psychology, expresses emotions, and promotes the development of the plot as an element of the drama. Color greatly expands the mirror language space of the film. In Zhang Yimou's film modeling methods, color has always occupied an important position. Through the color design, refinement, selection, and rendering of the image of the picture, he set off the emotional tone and specific atmosphere required by the theme content, and obtained a strong artistic effect. Zhang Yimou's treatment of color is not satisfied with the simple description and restoration of the objective world, but also emphasizes the symbolic meaning and subjective expressiveness of color. Some people say that color modeling is Zhang Yimou's best modeling method. As Zhang Yimou's first commercial production of "Hero", he once again used his magic weapon---color. In the movie "Hero", the symbolic meaning and subjective expressiveness of colors have been publicized. Each color has a certain connotation, which can stimulate everyone's subconscious associations, but there is no specific direction. You think it symbolizes What is what. In the movie "Hero", Zhang Yimou makes full use of the hidden language function of color to express and imply the truth of the fictional story. At the beginning of "Hero" and the subsequent section of the unknown audience with King Qin, black dominated the screen as the main color. The abstract associations that black gives to people's psychological reflections are roughly death, vigor, sorrow, melancholy, life, seriousness, indifference, and gloom. The black palace of Qin, the black costumes of the characters, Qin's entire world is black. In this way, the director told the audience through the black that the establishment of the Qin Dynasty was based on death and sorrow, and that entering the black Qin Palace without a name would not be alive. At the end of the film, when a hundred officials urge King Qin to order the killing of Wuming and King Qin hesitates, we all hope that there will be a miracle, but when we see the blackness, we should be desperate. Because the flower of life will not bloom in the black palace of Qin, because black represents death. In the real picture of the film, the color reproduces the object, such as the black palace of the Qin Dynasty, black clothing and so on. But in the nameless story, he and Nagaka decisively fight in the chess room scene, the director suddenly used black and white. Black and white are also types of colors. Many movies use black and white to indicate that these contents are flashbacks, but the use of black and white in "Hero" has a deeper meaning: black and white pictures indicate that this is unreality, false, and fabricated. Zhang Yimou used color to express the audience, and Wuming said it was false. This was later confirmed in King Qin’s speculation on the battle between Wuming and the sky. In the picture that King Qin speculated, The battle between Wuming and the sky is to restore the true nature of reality and is close to the truth. Let's dig deeper into why Wuming uses black and white pictures in the memory and the battle of the sky? The answer is that this is not to avoid thunder and the picture is not good. I think It is the director who expresses the psychological world of the nameless at this time-the nameless himself actually regards the false as the false instead of the false as the real. So even if you lie for the sake of revenge, the original intention of knowing the true and the false is true. Yes. With this true heart, he will realize that he will not kill King Qin for the sake of the world and sacrifice himself to be benevolent, so he is a hero. "Hero" mainly uses four major color systems: black, red, green and yellow. There is also meaning in the contrast of these main colors. After the battle between Anonymous and Changkong, the picture quickly turned into Zhao Guoshuguan. This is a red world. The characters are all in red robes, and the layout of the library is also decorated in red, even if the sword is to write the eight-foot sword character, red cinnabar is needed. According to common sense, an academy under the red blur is definitely not a good academy. Under the red light, people’s eyes get tired quickly. Where else can you practice writing? The abstract associations generated by the psychological reflections of red are "enthusiasm, revolution, danger", "blood and violence", "fear and danger..." As expected, the danger came afterwards, Qin Jun's bloodbath academy. Zhang Yimou uses color to greatly expand the mirror language space of the film, especially the space of a single mirror language. Zhang Yimou gave full play to the effect of color movement. In many single shots, color is a person with long legs, a living thing, infinitely changing. In the shots of natural scenes, the changing winds and clouds, the different scenery and colors of the four seasons are also objective conditions, but Zhang Yimou speeds up or delays it. But even in the lens of natural scenes, the realizable object remains the same. It can be said that except for the color change, nothing else has changed, including the object's form, position, and even the scene. So is this one lens or two lenses? I think it is a shot of expanding space through time changes. In Zhang Yimou's films, color is wind, and he obediently obeyed the director to let it blow any color to wherever it is. Color is language, color is thought, color is emotion, color is emotion So he is a hero. "Hero" mainly uses four major color systems: black, red, green and yellow. There is also meaning in the contrast of these main colors. After the battle between Anonymous and Changkong, the picture quickly turned into Zhao Guoshuguan. This is a red world. The characters are all in red robes, and the layout of the library is also decorated in red, even if the sword is to write the eight-foot sword character, red cinnabar is needed. According to common sense, an academy under the red blur is definitely not a good academy. Under the red light, people’s eyes get tired quickly. Where else can you practice writing? The abstract associations generated by the psychological reflections of red are "enthusiasm, revolution, danger", "blood and violence", "fear and danger..." As expected, the danger came afterwards, Qin Jun's bloodbath academy. Zhang Yimou uses color to greatly expand the mirror language space of the film, especially the space of a single mirror language. Zhang Yimou gave full play to the effect of color movement. In many single shots, color is a person with long legs, a living thing, and endless changes. In the shots of natural scenes, the changing winds and clouds, the different scenery and colors of the four seasons are also objective conditions, but Zhang Yimou speeds up or delays it. But even in the lens of natural scenes, the realizable object remains the same. It can be said that except for the color change, nothing else has changed, including the object's form, position, and even the scene. So is this one lens or two lenses? I think it is a shot of expanding space through time changes. In Zhang Yimou's films, color is wind, and he obediently obeyed the director to let it blow any color to wherever it is. Color is language, color is thought, color is emotion, color is emotion So he is a hero. "Hero" mainly uses four major color systems: black, red, green and yellow. There is also meaning in the contrast of these main colors. After the battle between Anonymous and Changkong, the picture quickly turned into Zhao Guoshuguan. This is a red world. The characters are all in red robes, and the layout of the library is also decorated in red, even if the sword is to write the eight-foot sword character, red cinnabar is needed. According to common sense, an academy under the red blur is definitely not a good academy. Under the red light, people’s eyes get tired quickly. Where else can you practice writing? The abstract associations generated by the psychological reflections of red are "enthusiasm, revolution, danger", "blood and violence", "fear and danger..." As expected, the danger came afterwards, Qin Jun's bloodbath academy. Zhang Yimou uses color to greatly expand the mirror language space of the film, especially the space of a single mirror language. Zhang Yimou gave full play to the effect of color movement. In many single shots, color is a person with long legs, a living thing, infinitely changing. In the shots of natural scenes, the changing winds and clouds, the different scenery and colors of the four seasons are also objective conditions, but Zhang Yimou speeds up or delays it. But even in the lens of natural scenes, the realizable object remains the same. It can be said that except for the color change, nothing else has changed, including the object's form, position, and even the scene. So is this one lens or two lenses? I think it is a shot of expanding space through time changes. In Zhang Yimou's films, color is wind, and he obediently obeyed the director to let it blow any color to wherever it is. Color is language, color is thought, color is emotion, color is emotion Zhang Yimou uses color to greatly expand the mirror language space of the film, especially the space of a single mirror language. Zhang Yimou gave full play to the effect of color movement. In many single shots, color is a person with long legs, a living thing, infinitely changing. In the shots of natural scenes, the changing winds and clouds, the different scenery and colors of the four seasons are also objective conditions, but Zhang Yimou speeds up or delays it. But even in the lens of natural scenes, the realizable object remains the same. It can be said that except for the color change, nothing else has changed, including the object's form, position, and even the scene. So is this one lens or two lenses? I think it is a shot of expanding space through time changes. In Zhang Yimou's films, color is wind, and he obediently obeyed the director to blow any color to wherever it is. Color is language, color is thought, color is emotion, color is emotion Zhang Yimou uses color to greatly expand the mirror language space of the film, especially the space of a single mirror language. Zhang Yimou gave full play to the effect of color movement. In many single shots, color is a person with long legs, a living thing, infinitely changing. In the shots of natural scenes, the changing winds and clouds, the different scenery and colors of the four seasons are also objective conditions, but Zhang Yimou speeds up or delays it. But even in the lens of natural scenes, the realizable object remains the same. It can be said that except for the color change, nothing else has changed, including the object's form, position, and even the scene. So is this one lens or two lenses? I think it is a shot of expanding space through time changes. In Zhang Yimou's films, color is wind, and he obediently obeyed the director to let it blow any color to wherever it is. Color is language, color is thought, color is emotion, color is emotion
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