Brother Hammer, you are such a big brother, how did you make such a movie?
At the beginning, it doesn't attract people, but it is a mysterious and melancholic minor that corresponds to the fierce gunfight, which really makes people feel uncomfortable. Rescue part of the fighting scenes combined with dynamic and static, the punch to the flesh and the rhythm created by the handheld camera are quite enjoyable.
However, the score of the film's soundtrack is really losing points. Under such melancholic music, I really can't bring up the same tension and thrill as the protagonist. On the contrary, it makes people feel sleepy after listening for a long time.
The first turning point of the film was too slow. The tepid first half an hour must have made most people lose the urge to watch the movie.
Some of the details of this film are also a bit embarrassing. When the jungle chase scene, I never thought that a killer who looked so professional was discovered because he stepped on a branch. This really made me lose trust in his seemingly professional image, but added a sense of helpless comedy.
The 11-minute long shot of the so-called deity in this film is truly amazing. The camera takes us into that tense and ever-changing battlefield from a third-person perspective. There is a thrilling feeling of playing the Call of Duty series. However, it was just to hit the three people behind, plus the Indian kid group from the back. The four people called back and forth, which was a bit dazzling, and it was not clear who hit me and who I hit.
When it comes to the Indian kids group, I am really a little confused. What do you want them to do? The plot does not promote the plot, nor does it reflect the core of the film. The acting is not brilliant. The space occupied is still long. I really didn't understand the director's good intentions. I hope someone can enlighten me and wake me up.
And the film that embarrassed me the most and even wanted me to leave the theater to get some breath. It was the literary drama where 2 people came to the mansion. Brother Hammer walked to the side of the drug lord’s son. After a thrilling escape, the two began a heart-to-heart chat. The drug lord’s son and Brother Hammer had a question and answer, a question and an answer, a question and an answer, a question and an answer, and a question. Ask and answer. I seem to have come to the recording scene of the Shanghai classic variety show "The Old and the New Mother". As for the screenwriter, you can be a bit more blunt. Those who know know that this is chatting, and those who don't know think that the neighborhood committee is checking the water meter. There is also the mansion owner who saves the hammer brother. His words are so verbose, he feels like it is in a water plot, such a simple action shooter movie, who wants to listen to you guys talking about the short story. I think the plot is completely coherent after removing those few minutes. There is also the logic of Brother Hammer at that time, which is really confusing. If I am not mistaken, Brother Hammer should be an elite mercenary. When will he put on a white robe and become the Virgin Mary. A good friend whom I have known for many years proposed to come out and kill the son of a drug lord, so that he can keep his name and get a lot of money that Brother Hammer has been thinking of. why not. And Brother Hammer didn’t know which of the tendons was wrong. A kid who I only met today, who was in a state of complete distrust during the first half of the journey, how did Brother Hammer build a revolution that is more in love with him. Friendship? To this end, he did not hesitate to put himself and his team at extreme risk of life, hesitate to give up the large sums of money at his fingertips, and to fist with his best friends, and eventually led to the death of the drug lord's son. I really want to ask, is it really worth it? Could it be that the son of the drug lord Cheng Hammer did not pay attention and quietly turned on his Notre Dame switch? For an action gunfight film, the logic of the literary and drama part is required to be rigorous everywhere, which is indeed a bit picky. However, there are so many literary dramas in this play that are really unexpected, so many that I have a numb scalp, just want to catch the hand of the projectionist and force him to fast forward.
There are a lot of speechless things in this film. Brother Hammer and the back-to-head brother who resembles "Pulp Fiction" Chinese Center, how come together behind them, and how do they stand on the same front. The existence of Back Tou has no effect other than giving the protagonist a little trouble. It is really confusing. But the action part is still remarkable. Hammer is also very handsome. He is also very good at hypnotizing me. It cured my old insomnia and let me go back and have a good sleep. It's okay.
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