Speaking of which, Japanese horror movies are the best, followed by South Korea, and again the United States. Japanese and Korean horror movies are characterized by tangible ghosts and the right atmosphere. The purpose of ghosts is to take human lives, but they must spend more than an hour to play with the victims. By the way, they also treat the poor and fragile audiences. Enough abuse. There are two types of American horror films. One is the horror of man-made or fate, everyone lining up to die one by one; the other is to rely on special effects to create an ugly monster that sprays slime, or a group of blood and blood. Zombies, they made people sick to death before scaring them to death. The two series have a common feature is that people die very quickly, there is hardly too much psychological torment part, people always pop up and explode without remembering the name.
I remember that in my freshman year, I watched horror movies in bed with two girls in the middle of the night. Every time I reached the key plot, I was bound to be the person responsible for telling the story that they blindfolded and missed the plot. I don’t know when I started to be insensitive to horror movies, probably because I read countless movies, or because the pressure of my childhood schooling was decompressed through plasma and ghost films so that the reflection arc of ghost films was so long that it could circumnavigate the earth. lock up.
Therefore, when I watched this "Woman in Black" in the movie theater, all the shocks I received were basically from the young girl who screamed or sucked in air-conditioning (sudden yelling is really scary!) .
At the beginning of the film, I felt a little bit weak to complain. Although the excessive detailing is to be faithful to the fascinating classic details in the original novel, there is a pretended surprise from the excessive detailing. feel.
The narrative also jumped slightly, making it difficult to grasp the core motives, which makes it seem inexplicable. (Is it because of the deletion?) The three cute girls play with dolls and then jump out of the window as if they are hypnotized. Switch to the part where Harry Potter and his son say goodbye, and then Harry takes over the work of investigating in the old house.
[You said why they refused to give Harry a room? ] [Why doesn't Daley believe in ghosts? ] [Why did Hajun say that he loves his son so he took over this job? ]
What kind of trouble is the pony? As an Aquarius, it is very painful to watch a movie with a bunch of "why?" "why?"
And Dan’s iconic five-sided Harry Potter face gives people too much sense of detachment. I always feel that this is still the big boy who is studying at Hogwarts and is on the mission of saving the world, and he always looks like a photo. When the black woman in the ghost approached him, I felt that he was going to take out his wand from his arms and shout a patron saint curse, and then jumped up to a silver stag and drove the dementor away.
In addition, the family relationship card is too far-fetched. In the film, Harry Potter’s deceased wife in a wedding dress and Harry Potter’s memories of his wife’s death repeatedly appear in the film. Wife and son's love and miss. But is it because Ha Jun wears glasses all the time? His big blue eyes always feel so apathetic. The look of Ha Jun looking back on the poster always makes people feel that "there is no trace of ps".
As for Daley's wife, from time to time, the appearance of his son's ghost painting on the table or on the wall is not really for the purpose of adding comedy? I want to make an investigation: Except for the low-end horror method that suddenly appears a dark shadow, is anyone really frightened by the plot?
Faced with such a thriller, even if a boyfriend is next to him, it is difficult to have a chance to jump into his arms and take advantage. Only at the risk of being despised of intelligence, he sells cute and pretends to say "I'm so scared", hey, I really kneel down. !
At any rate, the ending was surprising. When the atmosphere cleared, everyone thought that Harry Potter had calmed the heart of the black-clothed woman in an old-fashioned way (to understand the survival dilemma of a classic old story), but the plot suddenly turned around. The woman in black killed Harry Potter and his son.
Based on such an ending, I think this story probably tells us two truths. One is a manifestation of "ghost-like positive energy": In other words, in the eyes of a female ghost, it is not necessary to live to be happy, maybe a family No matter where you are, reunion is always more comforting. This is the female ghost's best reward for Harry Potter for helping her reunite with her son (?)! This reminds me of the story of my father, Kobayashi, who was hypnotized as a bird in "Killing a Wife". Looking at warmth and beauty from another angle, maybe it is a way closer to reality and more comforting, right? Bar? Bar? Ha ha?
However, another point of view is more in line with the mainstream values conveyed by British television and film. In a word, it is one word: corruption. The movie tells us: A woman is a kind of sad, terrible and illogical animal, so don’t provoke a woman. Don’t hit the gun and comfort a woman who is provoked by others, let alone win any forgiveness. If you are a cute boy, don't rush, quickly pull up your good friends, put on a beautiful jockstrap, and fly happily and happily. Hahaha. . .
So, at the end, what I want to suggest is that if you want to spend all your movie cards that are about to expire, or if you really can’t find anything to do, you can really take a look, because the filming is rough and not too rough. It's scary, and you don't need to use your brain, and you can find fun in the strange reaction of a few strange audiences. Watching British horror is really a thing of love. The feeling of shock and speechlessness is just as exciting as the British dark cuisine French fries and fish steaks.
In short, once again kneel down to the Great Corruption of Jimeng.
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