Bring the lovely uncle into the theater at 10pm to watch Harry Potter's transformational work "The Woman in Black". Thriller and suspense theme. For the first 5 minutes, I still couldn't help but make a play, and sighed that Xiao Ha had a good time. Fortunately, with the spread of the plot and the rendering of the atmosphere, I was actually scared out of my hands full of cold sweat
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In terms of the emotional satisfaction of the film, I am satisfied that I lost to the director in this psychological tug-of-war, and it was worth the price. Huarong lost her color several times, but she was still indifferently cool. Isn't that the one who watched ghost pictures in the middle of the night?
The plot of the film still inevitably falls into clichés to provoke criticism: a female ghost with a Victorian background and a deep resentment, a dusty past, an ignorant public, and a man with a heart. The ending of being castrated even made me think for the first time that the male protagonist had successfully rescued his son, and set off on the road of happiness and peace. Fortunately, a large number of netizens are so insightful that they will not let the transformational Xiaoha be completely defeated in China.
As a low-level movie viewer with simple thinking and only trying to stimulate, he has a very superficial understanding of the plot: the heroine who was forced to be separated from her son had a mental state of collapse before her life, and after her son died unexpectedly in the swamp, she was unlovable. , Suicide and death full of resentment. Then it turned into a ghost and came back to take revenge on every happy family with children.
However, as a part time novelist, the uncle has quite unique insights. Share with everyone. Welcome to pat the bricks and correct me, he.
In a nutshell, the film is about the confrontation between positive and negative energy in everyone's heart.
The beginning of the film confessed the unfortunate experience of the male protagonist. His beloved wife died of dystocia, leaving the only seedling Joseph to accompany him. The sad widower poured his love on his beloved child, but he could not forget his wife’s smile and the final appearance-dress The soft white pajamas lay on the white sheets, and the blood seemed even more dazzling. The white that used to be in his life is the symbol of love in his heart, the reason, the positive energy and the driving force of life.
On the train to the ghost town, the wife in the dream was still pleasant but indifferent, still wearing a white wedding dress with a veil covering her face. But this time, the wife wanted to turn around and leave. The whiteness drifted away, and the pressure of life overwhelmed him.
Since then, white has not reappeared, and the negative energy represented by black has begun to envelope the whole film.
The villagers fell into collective out-of-control because of successive misfortunes. They wanted to give a reasonable explanation and a blame for these misery. They are familiar with the gloomy and lonely swamp mansion, and they also know the tragedies that have been staged, so a supernatural and irresistible opponent arises in the group consciousness, and the two are naturally combined.
But at this moment, Arthur came here with a broken and fragile heart, his emotional weakness and everything here are so fit. Families are separated, work is turbulent, and life is lacklustre. He can feel the injustice of life towards the mistress of the ghost house, and, like every parent, he understands the weight of the child in her heart, and understands her anger and her pain.
Written here, I think of a character in Greek mythology-Siren the Siren. The siren has a natural voice, and sometimes changes into a mermaid, and uses his musical talent to attract sailors from the past to make them suffer. Listening to her singing, your waiting, your longing and your longing will appear in front of you. So he adjusted the rudder and moved forward towards the illusion, and finally hit the reef ship and killed himself.
The woman in black is the Siren floating above the village. Whose choice is the tragedy and whose fault is it?
Because the fruit is one, sorrow arises from love, and horror arises from love; if one is separated from the one who loves, there is no sorrow or terror.
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