So this time, before sitting down to write something, I just watched or browsed the introduction of the film. I hope that I will not be affected by these BULLSHIT film reviews and have more of my own afterthoughts.
This film should be regarded as a social theme film, shot with single-parent families as the material. One way is the colorful single life of a man in his forties, and the other way is the child of a single-parent family. Then, using the little boy as the connection point, the double lines are combined into one stream like a converging stream.
For the content of this film, I prefer to summarize it in words that can only be understood. It's not that I want to play mystery, but there are a thousand "Harry Potter" in the eyes of a thousand people. I don't want to be here anymore, what kind of content, what kind of one-sided film retelling.
The film is not the kind of routine that makes people believe that there are miracles in this world. But in the end, a proper transition was made, and the ending was a happy reunion, but it would not give people a feeling of falling into the stereotype. It flows slowly but does not give itself a feeling of stuffiness, and the occasional gag makes this film not a hypnotic film by Shen Lun. What's more worth mentioning is the music behind the scenes in the film, which I suddenly noticed when I saw the film was about to end. So, on a whim, I copied these songs when I pulled the subtitles at the end of the film. One of them was sung by U2, and I saw that the most frequent one was BADLY DRAWN BOY, which I thought was the name of a band. After a check, it turned out not to be. Is an OK singer. I saw this sentence in the text of his comment: B. D. B is not a band, if so, then he is a one-person band. Oh, a good "angle" argument.
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