This is not Rocky's personal drama at all, but a crappy copy of "Rick and Morty" in Marvel's skin (the main creators are all dug from R&M).
Luo, who is not dead, should basically be included in the what if series, and write a story about "God of Fraud got the space gem and made a comeback." However, MCU chose to use popular characters as the vanguard and sacrificed Loki to give him his future "diversity." "Pave the way."
The main creator Michael Waldron served as a dramatist for R&M and Scrap Chai League (miscellaneous positions), but it was only in the fourth season of R&M that he was promoted to producer (the last one on the producer list), and he only wrote one episode (shy pooper). The script should not link this person's "R&M screenwriter" with the level of his play.
This drama makes no secret of its imitation of R&M, but the form is greater than the content. Rather than carefully arranging the plot to shape the characters, it uses some brainstorming ideas to blog people's attention. The ultimate goal is to make fans.
Why was the protagonist in the first episode caught by a TVA agent who had to squeeze his feet as soon as he escaped? Why did the first episode take a long time to allow the protagonist to examine the self-deconstruction of life? Because the original Loki is dead in every sense, the screenwriter never thought of letting the original Loki live longer.
The screenwriter doesn't respect the role of Rocky at all, and will only use the Tsundere Gongju in "Thor: Tomb Tou Dic" without thinking, selling cute and embarrassing. (In "Grave Head Jumping Di", Rocky still retains the characteristic of "duplicity", and even this one is thrown away in this show)
In the first episode, Loki's past life has been seen thoroughly, and his past motives have been cleaned up, which is tantamount to forcibly instilling "this is a brand new role" to the audience. The screenwriter thinks that a hasty "self-deconstruction" can turn the past Rocky over, but the method of "moving and editing of film and television clips" is extremely cheap. A1's Rocky understands life and his temperament so quickly. Not convincing at all.
Loki's city is not very deep, and his scheming is not difficult to understand, but the screenwriter rudely used his scheming as a laughing stock.
After the first episode, the protagonist Loki has turned into an eccentric justice partner who "is about to expose the TVA lie". The scheming and tactics that Luo should have are all deliberately arranged into a foolish playful, without substance. The effect, on the contrary, is frequently embarrassed, very embarrassed and clumsy. Nominally, he is a villain who has just started a war, but his words and actions can't bring the audience a sense of crisis, like a big cat with harmless humans and animals. Does anyone remember Rocky killing Colson himself?
The protagonist said that "Loki has a plan" is nothing but empty words. He casually confides his true feelings with a stranger he just met. Alioth, who is dead on touch, relies on the front to cast the spell, and he has to rely on his teammates to transfer. Sacrifice, completely forgetting that he would also be a phantom clone, and he didn't even have the scheming to steal an infinite gem from TVA.
Luo who had escaped basically should have more potential and possibilities, but was rejected by the screenwriter with a frivolous and sloppy approach.
This show ruthlessly denies everything about Loki in the past. In the past, Loki was eager to be recognized, and the protagonist of this show only cared about Sylvie; in the past, Loki loved to play tricks, and the show was simple and easy from the protagonist to the villain. Understand low-mind selling 囧; in the past, Loki wanted to use infinite gems, this show tells you that they are all useless broken stones...
"Infinite gems become waste paperweight" and "watching your arranged life ahead of time" are the disillusionment of the meaning of life: "The dream you can't ask for for a lifetime has been realized by others", "Even if you realize your dream, you can't get it." Real happiness" goes on and on.
The core contradiction of Rick Sanchez's role is that after seeing the void, he still doesn't want to admit that he needs company, and just wants to numb himself through fantasy adventures. R&M revolves around this contradiction, so even if the fantasy adventure is omitted, the story is still full of drama. Loki in the past also conformed to this contradiction between "want" and "need". He wanted to attack the earth, please Thanos, and rule God's Domain, but what he really needed was to be recognized by others.
However, in this drama, the protagonist Loki quickly put down his past after seeing the void, and confessed his good feelings for Sylvie, and went all the way to kill the monsters to take off the TVA, and he did not exist at all. The core contradiction . The protagonist Loki recognized the ultimate truth in the first episode. After that, the entire character was flat, and was carried through the plot flow without ups and downs. The two Loki rivals did not spark any sparks (Thor 2 meets Ma Before Lekis, the brother-in-law yyds). At the very end, there was a conflict like "Do you want revenge", but the audience's interest has long been worn out: Is it my business for you to fall in love?
The screenwriter tried to use the possessive mind-reading ability to emphasize that Sylvie was a "typical" Rocky, and even made the protagonist Rocky fall in love with her narcissistically; at the same time, he wrote her as a stubborn fight. Pie, the strategy of avoiding TVA is extremely simple, far from the "typical" Rocky, ability and character are completely separated. For the needs of the plot, the protagonist Loki must still cherish something after seeing nothingness, and Sylvie was born from this. As a Loki, when she and the protagonist first met, she barely got together without tempting each other, the relationship developed ridiculously fast, and the backstory did not have the length that it deserved. Sylvie is not an independent role carefully shaped by the screenwriter at all, but a tool woman born to make the hero fall in love with her . Therefore, she is the character with the most unclear self-positioning in the whole play, and it is also for her to make the most irrational decisions in the ending.
Free will? Too much worthy of Marvel! This drama takes cosmic events as a trivial drama. Issues such as free will only stay in the lines, not in the plot. The true core of the story is Sylvie’s personal revenge against TVA. The survivor asked her to take over or kill herself for revenge. She obediently chose one, but after stabbing her "enemy" to death, she neither expressed satisfaction nor established a plan for the next step. Instead, she sat slumped in place. Lost in confusion. Therefore, this knife is neither called revenge nor "free will". It is just a hasty vent of anger affected by momentary emotions, and it also allows oneself to fall into the plan of the leftovers (he died with a smile). The screenwriters have no brains nor the courage to discuss what freedom and centralization , as early as the first episode, they began to repeatedly teach their own private goods into a skin named "Rocky", here is just self-repetition: Chasing life Meaning will only bring you more emptiness.
The key literary dramas of the plot are all American drama talk. The two Rocky's rival plays are ridiculously boring. The self-talking "heart-to-heart talk" makes the audience drowsy, and a little ambiguity between the two bases is simply not enough to support the story . Failed to establish a new theme, so the whole story slides into the abyss of nihilism from a high-dimensional perspective of absurdity, leaving a hollow shell of Rocky.
The deceitful god who retaliated against his family and looked down upon human beings had seen his own life and confided his true feelings with ordinary people and became good buddies. He became a quirky and innocent boy who "will explode the TVA lie" and leave it behind. Everything in the past fell in love with the female version of myself, and used this as my future meaning in life.
The screenwriter dismantled Loki so much that he was so disorganized, he was even complacent and thought it was a "deconstructed role". The whole show has nothing to do with it except for the rich money to do special effects and the beauty of the trembling forest. In the final analysis , it is the same method of purifying fans of traffic stars . As long as there is the support of Disney's gold master's father, all kinds of film and television bloggers can't wait to squeeze their heads to "do analysis". Naturally licked loudly.
(In episode 5, various inexplicable variants of Loki are visible and godless, and the child Loki says "I killed Thor". It looks very powerful, but there is no shaping at all, and the "Death Metal" incident CUHK's many "Dark Batman" are also the product of the exhaustion of screenwriters' creativity and blind gimmicks .)
·The film and television blogger who blows this drama: "TVA's cutter can directly go back to the time before the change, so there is no need to return the gems to the original place!" It is a pity that the screenwriter was ruthlessly dismantled: "Cut = transfer to time Junkyard at the end".
·Re-linking mistakes caused the past Rocky to escape, and TVA was dispatched; multiple-linking mistakes caused the past Thanos to chase the future and be erased by Iron Man, and TVA does not care. Don't ask, ask is all in Kang's plan.
·TVA's management timeline is: "The damn people are not dead, and the things that should be destroyed are not destroyed, then throw them in the garbage dump and wait for death", but what if there is a situation of "death not to die but die" ? Pretend not to exist! And this is not the main character Rocky damned, the prisoners who has also been arrested TVA curiously cut, enough to see the mentally retarded studded "regulatory" organization simply can not afford the top of a Birds . According to TVA's management method, the "sacred timeline" has long since branched to the point that the mother didn't even know it.
·Do you think the hammer base is sugary? Do you think Rocky is a "gender fluid person"? In fact, it is the torii set up by the MCU for its “gender diversity” , and just write a few lines to play with CP fans. In the end, it never touches the old bg of the audience's bottom line.
· It is said that "no fork will occur on the eve of a devastating event." The two Lokis acted together without problems, but mutual affection created a big fork. The planet is about to be destroyed, even if Loki falls in love with his own variant, isn't it the same to die? Oh, I see, the power of love can change the world!
· "Belittling old characters" is a lazy coup commonly used by trash screenwriters. The opening TVA seems to be above all else, but one episode after another is pulling the hips, which has also caused the MCU so far to be pulled into the water and become a joke.
· TVA dishes are turned around by a Sylvie, why hasn't the headquarters been invaded by Ronan-level characters?
·Which talk show did Kang the Conqueror come from? Would a person who sees through the world and only gets rid of it, chews on an apple, chats, hides a knife and laughs so proudly? Knowing that the audience certainly doesn't care about the villain's motivational explanation, so just let go and play a clown?
·The first season of R&M used 10 episodes of chaotic and bizarre adventure stories to lay the foundation for "Everything is meaningless", and then the theme of "Wubba lubba dub dub" was highlighted in the last episode. Rocky wants to break out of contradictions and reconcile himself in one episode? I really don't know how high the sky is.
·The whole story is deliberately designed to achieve the "goals" the screenwriter wants, forcing the plot and forcibly changing the characters, but as long as there is a position in the industry, it can be praised like "The Last Golf 2".
Marvel (Kevin Aircraft) doesn’t care about the life and death of its core fans. There are only two target audiences for the MCU. Just love to watch lively fun people.
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