The look and feel is much better than in the hot day afternoon. The events in the hot day afternoon are concentrated between individuals and hostages and the police. The limitations are too large and difficult to control. The story advancement of the city heroes is dynamic and three-dimensional. Abandoning the car to the dock to face off, the mood of the audience continued to be mobilized, very compact; various aspects of the disclosure of social issues, showing the inner activities of the characters requires a lot of close-up shots and close-up shots, this is very good, the hero's daughter and the police Tan's daughter formed a cleverly heterogeneous reference. In a hot day, everyone began to restless, restless, impetuous, and social conflicts began to emerge. It only takes a bad day for a person to collapse. Everything in this environment To be more credible and true, when we look at the clown with similar kernels, the entry point is too unsuccessful; mental problems plus family emotional disputes, will he become a clown with some street violence and bullying suppression? Too low-level, and several elements are useless. Excessive reliance on Uncle Phoenix's acting skills makes the boundary between fantasy and reality blurry. It is really a failure. The analysis of social problems stays on the surface. There is a little gap between the rich and the poor, class differentiation, and frustration. Feeling makes people sick, as if someone doesn't know. I only saw a psychopath who was hysterical, aggressive, delusional of victimization, and deliberately drawing empathy from the audience. Opportunistic, deliberately, on what basis to give to Golden Lion, just because of the current malpractice? Pooh! Although I didn't play very well at that time, it was a block short of my complaint.
Having said that, no one in this movie has a great sin, but everyone is suffering, all suffering is caused by others and society, and the male protagonist’s unreasonable rebellion seems to relieve his anger, but in fact it is still It is creating pain. If the way to resolve the pain is to create more pain, then the self-destruction of the male protagonist is inevitable.
In several places, it feels that the male protagonist is like the epitome of the United States, doing whatever he wants, tending to be violent, repelling immigrants from the bottom of his heart, sounding self-righteous, and always causing many negative externalities.
A few techniques are worth learning. Arrange the male protagonist’s enthusiasm at home for his daughter’s birthday; arrange the detective’s life as the last day of retirement; broadcast videotapes at home; the detective calls his wife and partner on the phone at the same time; the male protagonist talks to society People paid for neither stealing nor robbing; in the end, the male protagonist faked his gun.
A textbook-like movie.
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