I'm curious if there are any "male and female thieves" older than this film: male thieves and female thieves enjoy stealing, want to pretend to be a high-society person, and want to take things away, whether it's their wallet or something. The stockings on the legs are like the ears of the objects in the bag. The willful and arrogant dialogue is the BGM of the masters, and the evenly matched skills are the climax of each other's heartbeat. The innocuous flirtation and provocation in the film make people imagine, in the open and bold modern view, it is a more restrained art of passion.
The film tells the story of a pair of male and female robbers who met and fell in love by chance and decided to defraud a wealthy woman. Unexpectedly, although the charm of the male robber succeeded in fascinating the rich widow, the debauched and elegant temperament of the widow also deeply fascinated him. The female robber became angry and exposed everything, and the male robber had to go away with the female robber...
If you think this is a story about a mandarin duck, you are wrong. From the beginning to the end, this is an emotional game played by mature men and women: in the same forces, they take out their hearts and beat each other's chests. If the goal is too clear and they dare not bet even with the slightest trust, they will lose the fun of gambling. As the saying goes, you can't bear to let your child catch a wolf, and you can't bear to really appreciate the other party without staring at a pair of affectionate eyes. It's not just nonsense and a few insincere compliments that can make love, an already bloody game, interesting.
In this regard, straight male cancer patients can take a look at how others catch a woman's heart: observe their difficulties, watch their lipsticks, talk about their hobbies, and solve their troubles. Don't think that the things that are piled up with copper smell have lost the beauty of "natural de-carving". Such things as taste and temperament really need years of polishing and screening of silver. There is an interesting prop in the film. The reason why the male robber can be strong enough to be a beautiful widow is because he stole a new bag she bought, and then pretended to pick up gold and sent it back, and this bag was worth 120,000 francs. For this reason, an impoverished nerd who did not know each other deliberately ran to the widow's house to yell at her, and the female robber also scolded her for being extravagant and stole the bag. I don't feel ashamed to pay for luxury, just as doing a good deed doesn't need to feel noble. The world is in need of uneven beauty. There is no sin in the object itself, and only the one who uses it to do bad things is guilty.
The camera sense of the film is very distinctive. The combination of many body language and music makes people think that they are watching a silent film. Especially the scene of closing the door is simply amazing: the male robber is the secretary of the widow, and the two get along with each other day and night. The man’s bedroom is also opposite. One night, after the widow and the male robber exchanged good night, the widow went back to the bedroom first. The robber stood still in front of his bedroom for a few seconds, then returned to his bedroom and locked his door. The camera quickly moved to the widow’s bedroom. The door, and then heard the sound of the door locking the door. You can see that these two locked doors are ordinary, but the provocative, reserved, hesitant, longing and other emotions behind them are on the verge of eruption, but they have to be hidden without showing any traces, regardless of whether the spectator wants to be there In the process of watching the movie, it was ashes!
The mutual theft that echoes each other at the beginning and end of the film is probably the most difficult couple trick in a comedy romance: stealing the personal belongings of the other party without knowing it. Facts have proved that both men and women need this kind of evenly matched interaction, and after showing their charms incisively and vividly, they enthusiastically throw themselves into each other's arms. On the other side, you can also clearly see who you are and what you want. Although the female robber can't be as charming as the graceful widow, her ingenious stealing skills and acting talents are destined to be the best partners for the two of them. We can't control our fascination with attractive people, but at least we should know whose side we are more in tune with.
The humor of the film is based on the open-mindedness of seeing through the world and the freshness of being curious about all things. The utensils advance the plot and the repetition of lines is cunning and witty. The dialogue between men and women is even more serious. The only man I don't love" is paired with the man's stunned grievance, which makes people want to roll around comfortably, and when he says "together forever, years, months, days," in a relationship full of deceit and routines, the camera Turning to the embrace in the mirror, or even the embrace of the shadow, the romance of the mirror flower ignites the lights of the blurred night because of its shortness and illusoryness, which is destined to be a turbulent night.
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