Analyze the weird logic of this seemingly realistic cartoon

Mae 2022-04-03 09:01:12

Forgive me, I don't even want to give a single star, the three views distort the Milky Way. The beginning of the story was a mistake, and the heroine made me see selfishness and self-righteousness.

One, escape from the orphanage

The heroine failed to escape by herself. When she was stuck in the eaves, she needed the hero to help her. After that, the hero said a very important message. When they came to the orphanage, the two agreed that they must take each other with them to escape. The goose mistress has betrayed her faith. Later, the male protagonist did take the female protagonist with him when he fled, but when he woke up the uncle, the female protagonist complained that the male protagonist had a bad escape plan. When the music box fell to the ground during the escape, the male protagonist even ran back to pick up something, but the goose female protagonist only regarded the male protagonist as a music box repairer in the following series of processes until the end of the movie. The praise, although it is between good friends It's a joke, but I never thought from the bottom of my heart that the male protagonist can become a great engineer, and the male protagonist has always sincerely believed in the female protagonist's love for dance, and thinking about the selfishness of the female protagonist is really disgusting to me.

Second, get a cleaner

Using the poor image of herself and her friends being separated and helpless as an excuse, she relied on the cleaners, believing that the cleaners would not treat her too much. If anyone else tells me that this is the reality version, then I believe it is unrealistic for the cleaners to accept her. If it were a vicious passerby, I'm afraid the heroine wouldn't pester him. After walking with the male protagonist, the female protagonist realized that the usual protective umbrella was gone, but she never thought about it when she ran away, and just wanted to quickly get out of the cleaning life of the orphanage. Then, after the cleaner took her in, she impersonated the second girl. She might have thought that it was morally wrong to do so, but in order to retaliate for the second girl for throwing her music box, she did it without hesitation. She never thought that she was a cleaner. It doesn't take into account how bad it will be for the cleaners, and the script doesn't realistically point out what will happen to those who cover up the thief.

3. Stole the notice from the Women's Second Dance Academy

I can only say it's ridiculous if someone still says that the reality is to seize her own opportunities, and she just seizes the opportunities of her own life to educate her own children. Personnel should fight for something, but not by stealing. Since you said that this is not a fairy tale, it can be said that the behavior of the heroine has already constituted a crime in reality. You can't tolerate a person, but if you are the second female lead, can you still accept and forgive such a female lead? Still think the heroine is inspiring? Isn't the means of pursuing one's ideals a bit scary, and still feel that there is no problem? To put it bluntly, she is a thief and always will be! Do you think the mother of the second female and the second female are relying on the rich to bully the weak, so is this kind of revenge justified? In reality, the act of stealing other people's notices can let you off so easily. In addition to the inexplicable god-level protagonist's halo and golden finger, he also maliciously vilifies the second female mother and inexplicably whitewashes the second female. Some people who hold grievances for the heroine just base the theft on revenge, because the second woman and her family have done too much? It's ridiculous, if the second girl is an ordinary person, and if the second girl is yourself, and your entry notice is stolen by someone because you smashed other people's things, you can still forgive the spoiler, these two things are an equivalent?

Fourth, the protagonist has a strong halo throughout the movie

Everyone doesn't care whether the heroine has hurt them or not, everyone is applauding such a "dance genius" who feels talented even before he can dance. The logic is bizarre and scary, and it teaches bad children. If you think it is your ideal, you should pursue it by all means, regardless of the feelings of everyone around you. Even if you are in deep trouble, there will be a boyfriend who will help you find a way to deal with the aftermath. When there seems to be no hope, even the uncle of the orphanage is inexplicably distressed. You, a few months of skill practice surpassed the professional practice of the second girl for several years, and the character of the impostor has also been recognized by the master. It is just optimistic about you, and an awkward dance for no reason can be forgiven and withdrawn by the second girl. I It's better to understand that the female second is under too much pressure and can't perform normally, which makes me feel a little better.

In short, I held back from the beginning, always thinking that the plot can turn, the heroine can grow, and the three views can be corrected. After reading it, I found that it was impossible.

I also agree with seizing the opportunities in life and working hard to pursue what I want, but with all due respect, the three views of this movie are broken, I can't accept it, and I am extremely afraid to think about it.

The Great Felicity (2016)
6.5
2016 / France Canada / Comedy Animation Adventure / Eric Summer Eric Welling / Elle Fanning Dane DeHaan

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Extended Reading
  • Ron 2022-04-07 09:01:06

    A part of life, whether Paris or ballet.

  • Baylee 2022-04-05 09:01:07

    It's full of routines and chicken blood, but it's very good-looking... The Chinese dubbing is actually bright? The fire sign girl with dreams is simply invincible

Leap! quotes

  • Victor: [watching Felicie dance around the Irish bar] Wow!

    [Love-struck, he tosses her a rose. Felicie reaches up to catch it, but loses her balance and falls onto a table. Merante, who was seated nearby, stands up and removes his hat. Felicie gasps in fear]

    Mérante: [sternly] I hope that tomorrow you act with a little more dignity.

    [starts to walk out]

    Mérante: Anyway, tonight was...

    [puts his hat back on and smiles]

    Mérante: A GOOD performance.

    Felicie: [flattered] Thank you, sir.

  • Felicie: [after Camille once again steals her music box] Leave it. Give it back.

    Camille: [laughs mischievously] Silly me. I didn't throw it hard enough THE FIRST TIME!

    [She prepares to throw it across the room, but Felicie grabs her wrist and takes her music box back]

    Felicie: Don't make the same mistake.

    [puts the music box back in her pocket and starts to walk away]

    Camille: Why are you leaving? Scared of being humiliated?

    Felicie: [stops and faces her] Looks like you need more training.

    [uses her broom to stretch her body]

    Felicie: You're nowhere near ready.

    [drops her broom as she and Camille circle each other on tiptoes]

    Camille: I'M going to show you what a real dancer looks like.

    Felicie: Are you sure about that?

    Camille: Quiet! Tonight, these seats will be full! Paris will be looking at ME! Adoring ME!

    Felicie: [smirks] Or not.

    Camille: [furiously] I already told you! You are nothing! You will always be nothing!

    Felicie: [spins up to her] Only one way to find out. Right here. Right now.

    [She and Camille engage in a dance-off. Nora walks in and notices]

    Nora: [pleasantly surprised] Oh my god.

    [rushes out of the room and shouts to the others in the building]

    Nora: DANCE-OFF!