Women in three patriarchal societies. Millie is a stage, full of desires written on the face, mechanical and distorted expression of appeal: seeking attention, seeking companionship, seeking social status and personal taste. Pinky was ignorant and curious at the beginning, and under Millie's strange "enlightenment", she began to have the implosion power to transform and break free, but because "enlightenment" itself is distorted, Pinky's "break free" and "transformation" Naturally, it is also a deformed product under strong pressure: she exerted too much force, not only did she not break free from the narrow life experience of her small town girl and become the "perfect" person in her heart, but turned into a self-confident arrogance and domineering. And Willie is the end result of long-term repression in a patriarchal society: reduced to her husband's purse and belongings, with no dignity and no chance to speak. There is only cry in the poor silent art, and even the most pitiful is that in the end when she is in childbirth, even the so-called female companions cannot help each other. The three women are isolated throughout the film, isolated separately, and even when the three of them live together at the end, they still look isolated and helpless. When will the films of the awakening of women's consciousness give some hope?
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