The tragedy of the Heian period, the forced separation of families under the times, the pursuit of human rights.
Mizoguchi's character-building skills are very deep in this later work. At the beginning, he used multiple reverse-order narratives to form the character of the chef king. Although the narrative time spans a large age, it does not appear fragmented, but instead plays a role in explaining the background and The role of foreshadowing. In the latter part of the chef Wang's change from hopelessness to bravely escaping the manor, it was actually because of the persistence of compassion in his heart.
The use of music in the film is very good, integrating Japanese music with the story, and it is full of Japanese flavor, especially after the reunion of the chef king and his mother before the end of the film, the music when the father and sister passed away, the sharp music at this moment is like from The roar of the world from the bottom of my heart is shocking and hurting.
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