Bogart always has a pussy face

Beulah 2022-10-15 16:24:17

1. The screenwriter turned out to be Houston, Bogart Iron Triangle.

2. 1 stack - 2 stack push (stack + push) - 3 stack: building - capital - governor's office - the back of the character sitting, classic and clean.

3. Desperately looking for resources looks cool. This is the same principle as what you get from hard work is very happy~ People, if you get something for nothing, it will be less fun.

4. Walsh's lens is really clean, the close-up of the pardon, and it melts directly into the prison.

5. The window frame outside the car: shoot the driver + the car and the third party to fight back and forth. [Where to get two books to learn how to light up]

6. Excellent Golden Hollywood: The soundtrack follows the mood it is trying to convey to the audience, from start to finish.

7. In the same sentence, golden Hollywood was the greatest, movies reached their peak at that time, and all the best practices were basically dug up and put into use, followed by the 90s.

8. Suddenly I think of "Goodbye everyone" and "Killing", psychological confined space and actual confined space.

9. All are showing the kind and gentle side of the characters, which contrasts with his identity as a robber.

10. Side compliments, the little thief is fortunate to join him in Sansheng, Earl is not only rigorous, but also reliable; the little thief's younger brother thinks that Earl is out of breath [this involves the question of whether the sword is not old, looking forward to the vision Formation: Expecting vision like Yidao Liu. 】

11. A dialogue between a woman and Earl is as wonderful as a screenwriting textbook.

12. The setting of the cursed dog gave this film five stars.

13. First almost crash, then crash, lame, double foreshadowing. [The ideal plot, the old man will definitely save his life in the future, combined with the dog's bad luck, everything will work. 】

14. "Thunderbolt" is definitely taken from here! ! ! "Time has changed!"

15. Roy wants to treat this girl's feet, this robbery has a purpose, or a legitimate empathy [because foot treatment is expensive, although robbery is sinful, but doing sinful things with a kind heart always charming. 】

16. Another very classical plot setting: The dancing girl likes Roy, and Roy likes the lame child, but he is rejected by the lame child. [So get it, being nice to someone won't make her love you, it will only make her feel confident; if you want her to love you, you can only be nice to her; but when a person loves someone, their instinct is to be nice to her , which seems to be a paradox. Be ruthless first and then suddenly warm. 】

17. The story seems to have filled the pit at the end and not digging the pit is wonderful

View more about High Sierra reviews

Extended Reading

High Sierra quotes

  • Big Mac: Times have sure changed.

    Roy Earle: Yeah, ain't they? You know, Mac, sometimes I feel like I don't know what it's all about anymore.

  • 'Red': I almost forgot, Mendoza brought us a present and Roy, I guess you're the engineer. Here.

    [Hands Roy the machine-gun case]

    Louis Mendoza: Big Mac gave me the machine gun. You know how to work it? Red doesn't, and neither does Babe.

    'Red': That's a good one , that is.

    Louis Mendoza: What's so funny?

    'Red': [Sarcastically says] Does he know how to work it?

    Roy Earle: Yeah. Say, you know that gun reminds me of one time, 9 or 10yrs ago. We was getting ready to do a job back in Iowa... when one of the guys got the shakes. Pretty soon we found out that this guy with the shakes had talked too much... and a bunch of coppers were waiting for us at the bank. But we don't say nothing. Lefty Jackson goes out and gets his gun. He comes back and sits down and holds it across his knee.

    [Roy positions himself in front of Mendoza and lays on top of the machine gun case looking straight at Mendoza without blinking]

    Roy Earle: The guy with shakes is sitting right across the room from him.

    [Points at Mendoza]

    Roy Earle: Pretty soon Lefty just touched the trigger a little... and the gun went

    [taps the case 3 times]

    Roy Earle: like that. The rat fell out of the chair dead and we drove off and left him there. Yeah... the gun went

    [taps the case 3 times again]

    Louis Mendoza: [Everyone just looks at Mendoza, who is nervous and sweating] Well, I better be getting back. I have to go on duty at 8:30.

    Roy Earle: What's your stint? You stick right through the whole job don't you?

    Louis Mendoza: Oh sure, I stand behind the desk and act like I'm scared. When you fellows get through, I telephone the police.

    Roy Earle: [as Roy leaves the cabin, he says] We don't want no slip-ups Mendoza.

    'Red': Boys and girls, I got the idea that our boyfriend here is no cream puff. How did you like the little bedtime story about the gun that went

    [Taps the case 3 times]

    'Red': Did you get the idea?

    Louis Mendoza: [very scared] Do you suppose he meant it that way?

    Marie Garson: Try talking and find out.