71/100, one point is added to Mark Hamill's little show dubbing skills. It is on the outside and inside of "Dog Tooth", and it contrasts with "Room", but the temperament is completely different from the two, and it is warm and heart-warming.
You have been confined in a cramped space since you were a child, and one day you were suddenly brought into the real world, and all this was always out of your control. Under such circumstances, do you choose to bury the past abruptly and accept a new life under the pressure of external forces? Or choose to draw a successful end to the past and take the initiative to write that incomplete and false but inexplicably beautiful and true story?
The protagonist of "Brisby Bear" chose the latter, so his unfinished false youth and unfinished false episodes were intertwined in the film, and a story with a little surprise was staged. A little nerdy, a little sweet, a little obsessive, and a little shy. There is almost no trace of moral criticism here, there is only a strange childlike interest.
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