the preset audience of the movie is introverted, kind, and well behaved, like a deer in the forest just learning to run, vaguely but psychically feeling everything around. She can understand Pauline's feelings for Victoria, and her own physical perception of Victoria's sexuality with boys, which is a very objective and inclusive perspective; Mary did not remember her death when she was sent to boarding school by her father. The face of the three-year-old mother, after witnessing Pauline's love for Victoria, although she realized it later, she still accurately got the purity of mother's love, realized that mother's love is a flame that she walks through in the dark world, and then No longer let the mother's face blurred in the memory. The deputy line also reflected her growth and transformation through her conversation with an uncle who managed flowers and trees on campus. Finally, under Pauline's "baptism", Mary faced her father's slack after reorganizing the family, and shouted out her anger and pain in the jungle at night. It makes people feel the power of the dark rush.
Suddenly I think of "Rose and the Deer" sung by Zhou Shen.
About Victoria:
The love that gave up because of the world, the love is not complete. Her explanation to her sister was expected, so she didn't feel much, and even more of the happiness and sadness brought by guessing the plot correctly. Naturally, her crying, embarrassment, dodging...no tears. I used to think that the love of "let the loved one love the one he loves" is more "correct" than the feeling of having to possess the loved one, until I watched Wang Xiaobo's "Love You Like My Life" (The Landlord's Cat has a folk version of it) ), I suddenly realized the logic point of the sentence "Nothing is the opponent of love, only love is matched with it". To put it in simple words, that is: I didn't get to the end, just because I didn't have enough love. Victoria said: "It seems like I'm choking...even though no one is going to kill me. To the love supremacist, the point of these words is "as if," in "even," in other words: she loves Bowie, but only if she loves herself. Marquez once said in "Love in the Time of Cholera" that people who have the ability to love will be born, they will not, they will not be born.
Roland Barthes wrote in Diary of Sorrow:
"To whom can I ask this
(hopefully answered) question?
Does living without the one you love
mean you love her as much as you think she is?"
Don't answer, how many people have the capital to ask this question?
Now, I can't avoid Pauline:
Actually, Pauline has The smoking, drinking, swearing, etc. that appeared on the camera didn't make me feel unruly or extreme. After all, there is nothing new under the sun. Who hasn't met such a classmate in their school career! Until she countered the teacher's scolding between girls The few words that were treated as small talk changed my view: I am amazed that my girlfriend can find such a breakthrough... However, when I saw the end of the film, I felt ashamed, and I was also a member of the collective unconscious
. In front of the consolation, only one question was asked: after losing our beloved, should we persist in this dark world? Then, the screen switched, and the answer was left to everyone. I began to think that it may vary from person to person. You see, Victoria can also She can continue her life with a little pain, just like Pauline is really the buffer zone for her to step into the world of the opposite sex; a teacher who understands Pauline can also find a way to survive when she is disillusioned because of the help of others. But, why can't Pauline! Why can't she resist the darkness! Why does the darkness have to devour her! Isn't she brave enough! Now who would use her change and fearlessness to save her own What I love: From a girl who is very "feminist" to trying to cut her long hair; from funny and unruly to schizophrenic crazy... I can only say, in the teacher's words: Sometimes, love can be A very painful experience.
Pauline is lucky. Victoria is unfortunate.
No, no, I don't know.
I remember a painting I saw before: the lower part of the picture is a fence like a net of thorns, black and sharp, and the top layer has The signs of being washed away, look up along the scattered thorn knots, the thorn knots are like geese gradually spreading their wings and flying, flying towards the looming sun rising above the picture, just like Pauline.
(See it for the first time. At that time, my knee was allergic to the plaster, fever, itching, scratching, straightening - itching, curling - actually I couldn't curl up. Nearly midnight, accompanied by spring rain, I cried and roared inexplicably. Wake up, look "One Hundred Years of Solitude". Then, the existence of Pauline's teacher became even more profound.)
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