Continuing the title: Sorry, I don't know what our movie history is, and I don't bother to check it. Anyway, it's probably represented by the monster hunter, the wolf, the mermaid, or something.
People must live a kind life in this life. This is the biggest insight I have seen after reading it. After watching the first few episodes of Chinese film history, I don't remember anything except the occasional embarrassing laugh.
In terms of values, the setting of Tianlun Hell at the last hurdle fully verifies the universal value of Baishan and filial piety. The in-depth analysis of the mother-child relationship is very good, and it can completely make the audience feel the meaning of filial piety. And don't compare it with coco, it's not the same everywhere. To put it simply, it's just a moral film wearing the cloak of hell and special effects of fifty hairs and questioning human emotions. If we watch those hell trials and reflect on ourselves for even a second, it shows that this movie is at least a success. of.
From the point of view of the story, the whole is getting better, there are hidden feelings after the hidden feelings, and the family part and the branch line of the army are a bit interesting. However, Cha Tae Hyun's people are a bit confusing, and the flashback part doesn't explain his character clearly, his younger brother is more flesh and blood. I haven't read the comics, but I can roughly guess the next episode of the bond between King Yama and the messenger captain, the captain's past thousands of years ago, after the reincarnation, etc. I am looking forward to Uncle Ma Dongxi's appearance.
From the performance point of view, not to mention the main actors and big-name cameos. The three messengers are cute, interesting and lively. My brother has never seen it before, and his acting skills are not bad. What I didn't like was that the lieutenant stared too much, and Do Kyungxiu's submissive expression remained monotonous for too long. The acting is qualified, the plot is qualified, the ethically qualified target audience is wide, and this second film in history has enough reasons to prove why it mobilized nearly half of the people in South Korea to buy movie tickets for it.
One is to look at the big screen's braincloth, there is no soul, hahahahaha, just like at home, take the mobile phone to brush the treasure, one is to sit on the cinema with the family to see everyone's life is helpful. If you want me to choose the latter.
Hope one day, our Spring Festival stalls will show a similar movie.
View more about Along With the Gods: The Two Worlds reviews
