The rhythm of the first half was clear and the photographer worked hard. The framing can also be said to be beautiful.
In the second half, the emotional power is revealed. Although it is relatively bland on the whole, it still pays attention to the key points.
After seeing Robin, he said, now it's his turn. Reminds me of Shi Tiesheng's poem "Forever":
I have to live until I can die
calmly , and you can
send me away calmly. Before that,
death nothing to do with you and me.
Previously, death was just a rumor, the
north wind shouted, the old tree was
broken by the middle, the
plot , or a moment of immortality.
I will live until I
can die and see, and you can
listen to me in death, and after that
death has nothing to do with you or me.
After that, death is but a migration, an
eternal return, the present being
replaced by the future, a
note , or a gyration of eternity.
I have to live until I can
count past lives and you can
laugh with me, so
death do with you and me.
Perhaps this poem is the film's best annotation.
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