The male lead in Da Hanoi finally stopped shouting that I was going to be the king all day long. So let's take a look at his name:
Do not move Ming - Wang.
OK. It was an afterthought.
Briefly discuss the routine of Da Hanoi:
1. The Great Hanoi Dualism. There must be two male protagonists. One black and one white, love and kill each other. A ruthless, a hot-blooded fool. One with top IQ and one with superior force. And they knew each other when they were children, of course, otherwise, how to write childhood memories, how to make thousands of stupid viewers cry for their bondage.
2. Like grand themes. Secondary abandonment. Several teenage protagonists are keen to turn the world upside down and create a new order.
3. The Oedipus complex. Killing father and mother.
4. Open and hang.
Audiences who like the theme of "Devil Man" can eat it together with "Beast Claw" (also directed by Yuasa) and "Parasitic Beast".
The image of Asuka reminds me of the villain John in "Monster". The appearance, personality and religious hints are very close. I wonder if the design was influenced by this classic character.
"Our community advisor is already confused." This scene is about Master Higuchi, who is pinching him in four and a half...
Asuka turned a bible to the middle and began to read the book of Revelation...the middle...the middle...Influx listen
The rant is over.
There is Yuasa Town, and Da Hanoi plays relatively stable, so this one is still worth watching.
View more about Devilman: Crybaby reviews
