Unprofessional complaints: JIM can't let go of the impermanence of the original pianist, and still wants to continue the timelessness and complexity of the role, but lie to me has played a good role in the corner, what does this show want to say? Pull the relationship, and then I'd rather play three seasons of Small Town Doubt and The Exorcist, also with a decent British accent. The plot is horribly protracted, the rhythm and narrative style are old-fashioned, there is no suspense or clever reasoning, but Cohen's music is just right.
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