1. The sense of separation from
each other The core of the first season is to find two missing persons, WILL and BARB, supplemented by the appearance of the Energy Bureau and 11 opponents. The layout is very appropriate, the three lines are intertwined with each other, the audience is not aware of the true face of the monster while driving God's vision, and following them to explore the truth, all of them will not be affected by Will's mother's paranoid and deep maternal love, 11's life experience is tragic but still maintained. The pure kindness and the deep friendship between several boys were moved, but this sense of enjoyment was almost lost in the second season. In the second season, the sheriff's overprotection of 11 caused 11 to run away from home, which led to his mother (it was all right here, but she also appeared in the last season). Does it have to be an entire episode to bury the thread for Season 3? Completely consume the audience's love for 11. The space that NANCY and JONATHAN went to the reporters was entirely for their love affair, and it was impossible to see any contribution to the main line of this season. WILL's line is the highlight of the season (please give NOAH a thumbs up first), and his partner MIKE, WILL's mother and BOB. MIKE's loss of 11 still had a great impact on his story line development, resulting in a reduction in his role. It is understandable to pair with WILL (the original words of DUFFER BROS), but because this season's Will's mother is too smart and decisive, mother The three-dimensionality of the image has been increased by 130 times, and coupled with BOB, the final cannon fodder, the scene-stealing person, which led to the deepest impression of MIKE on me in the end, is probably the inexhaustible yearning for 11. It can also be said that DUSTIN raises a little monster to force his IQ offline in order to serve the main line, and LUCAS and MAX basically only have the function of talking about love.
2. The slightly awkward image positioning of the new character
MAX, the pseudo-brother and sister, can be said to be a big gimmick this season, but the use of MAX is really a bit bloody. So cute girl, do you use her for a love triangle? Many times the friendship between young people can be hazy, why not write it cutely, and rely on hormones for everything. The addition of MAX should have played a role in separation and re-integration, but in order to create a triangle, besides giving her a COOL GIRL character who can play game consoles, this girl has almost no memory. The twisted and peculiar relationship between her and her step-brother who is "calcium in calcium" also took a lot of time to describe, and it was quite funny that she ended up giving a suspected uniform at the end. Wei Hua, in the screenwriter's mouth, as the representative of the pure evil side of human beings, after a season, he basically just bullied him with STEVE when he had nothing to do , and finally described that he actually has a father who looks quite perverted and control mad, it is too complicated, I feel that the screenwriter just thinks of where to write. 3. In addition
to the triangular relationship, the emotional description between characters is not enough.
In addition to LUCAS and DUSTIN, MAX Tianjiang also wrote another pair of suspected CPs, the sheriff and WILL's mother, and then wrote the brilliant BOB to death (although it was requested by the actor, but also wanted to complain, ah, It’s a functional role that was abandoned in one season). Does the relationship between people have to be expressed by love? Can’t it be friendship that supports each other? Well, Will’s mother also loves 11, and this stepmother probably also loves 11 It will be full of love. What hurts my heart the most is that the touching AV squad’s friendship descriptions in the first season are gone. For example, DUSTIN’s outsider vision and a little bit of mediation by the neighborhood committee’s aunt are very magical. LUCAS’s rejection of 11 is too jealous to accept it. It's very logical, and there is nothing boring. This season, I basically only see four words of jealousy and jealousy, probably because of the limited space.
After talking about the shortcomings, let's talk about something else, the imperfection and lack of the father's image in ST
A highlight of this season is that all the families on the child line have appeared, and the sheriff has officially replaced 11's perverted PAPA this season as her actual guardian, shouldering the role of father. In it, the sheriff showed an overprotective desire to 11, which should have come from the projection of his daughter who died of illness at a young age. In the end, he also told 11 sincerely that because his daughter was swallowed by a black hole, he was afraid that she would too. The existence of 11 relieves the fatherly love that has no place in his heart. But the shadows of the past made him involuntarily confine 11 to the cabin. The sheriff's contradictory fatherly love for 11 can be said to be very full. He has carefully set up a protection agency for 11 to teach her to read (11's language proficiency has developed rapidly under the influence of TV), but because his daughter went early, he is also Learning how to be a father, not to mention the fact that the daughter who is so capable is still adolescence, this is actually quite realistic.
At the same time, the family of LUCAS and DUSTIN has also been positively described. In comparison, LUCAS's father is still very normal. The black people in the 1980s must have such a middle-class status. There is only one mother in the DUSTIN family who has been holding a pet and seems to be in the same line as her son. Obviously, this mother has always been a laissez-faire + a little encouragement to DUSTIN. The father of the Toothless family did not appear, and there was no words to describe it. . MIKE's father is even more extreme. There are few basic lines. It is a typical widow-style education. The two sisters and brothers run away from home all day long and have basically never asked. The camera is either sleeping or watching TV. Needless to say, WILL's father is a scumbag who is a drug addict and a woman trying to comfort Jin. What's interesting is that this season's "almost" stepfather, BOB, has always wanted to integrate into the Will family, so he encouraged Will to face it bravely. It is precisely this point that makes him particularly good at hiding and hides as soon as he passively enters the reverse world. Will stood up and was possessed. Although it wasn't his fault, it also made his final ending a bit like he couldn't escape.
What I care about is the MAX stepfather who has appeared once. This stepfather exudes a shuddering aura. An outside tyrant like BILL, after a few words from this guy, actually went out to look for his sister. went. Especially in the third episode BILL also mentioned that they were trapped in HAWKINS, it is estimated that the father's work may be related to the supernatural events in the town. And when MAX already knows all the ins and outs, it will be terrible if he joins forces with 11 her perverted and obsessive father in the future.
In fact, in the second season, it is a setting with excessive foreshadowing. The main force of the demon 11 is looking for the truth of his own life experience throughout the whole process, and he has not yet met the big devil. As for those brothers and sisters who kill Matt, it's not that they can't be introduced. After all, it's not scientific to rely on 11 to fight monsters alone, right? It's just that this method can be a little better. I really prefer to see more of the previous laboratory descriptions, which are better than this "what would it be like if 11 did not meet a kind-hearted team and fell" setting. easier to accept. In addition to dealing with the Cthulhu-style monsters in the third season, the more important point is how the 11 who has an identity will integrate into the town life next, and how to control his superpowers with the help of the sheriff and his friends. Please don't forget, apart from the squad, MIKE's two rivals know what 11 can do. This is very Edward Scissorhands. Of course, I firmly believe that ST must end with HE.
In the end, the screenwriter should raise your hand and give more MILEVEN scenes. Such a cute, firm and strong PUPPY LOVE is so moving. It has to be delayed until the last episode to have two rival scenes. !
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