As for Julia, in a word, there must be something to hate about poor people. Although Tessa's final evaluation of her is extreme, it is not an exaggeration, a sad and cowardly woman. The more afraid of losing something, the easier it is to lose, worry about gain and loss, and in the end, you can't even protect yourself how to protect what you want. The set IQ in the play is too suppressed to reflect the confrontation with Tessa. There are too many flaws in this character. When it comes to jumping out of the play, some things that can be explained in a few words are forced to be difficult to explain. You should thank the protagonist's halo and the screenwriter for being alive.
Finally, David, a dispensable character, is a setting for a source of trouble. So, a good ex is going to be dead. They are about to get married for the second time, and they often appear in each other's lives, even because of a daughter. Maybe this is the difference between Chinese and Western concepts. Anyway, I think the probability of this kind of relationship is too low.
At the beginning, I thought it was another black-bellied masterpiece after "Gone Lover", which is a pity.
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