Watching this movie is to see the two labels of Anthony Banderas starring + action. During the process, I also felt that this kind of small production routine of the main star is obvious
. 1. A-level films will be the first to introduce contradictions - the accident happens, the story begins , the protagonist is involved from an ordinary identity and changes the direction of the story;
muscle-type action films will adopt another routine (recalling the 80s, Stallone's genre films are all like this), first the protagonist appears, and the protagonist mixes badly, causing the audience Sympathy thus substitutes for the protagonist; empathy reduces and enhances the appeal of the story. There is nothing wrong with doing this in itself, but doing so often means that the story is not very exciting. No one has only a story in a first-rate movie. The protagonist of a second-rate movie has a clear and ambiguous story, and a
third-rate movie forgets after watching it. Fans of the fourth-rate movie consume... The last-rate movie is locked up -_-!!
The fire that swept the world ignited from the intercontinental highway (the convoy was hijacked, the hostage girl escaped), the protagonist entered his office to go to work, and the supporting roles took turns to appear. After the long but insincere background explanation, everything was ready, just waiting for the escaped girl to enter .
3. The problem of not carefully researching the script is clearly exposed here - why did the protagonist group save a girl who rushed over in the middle of the night? The movie gave a protagonist's daughter so big to fool the audience. Is it so easy for the audience to accept it?
The other party can KO a large group of FBI teams, vicious-looking villains.
The phrenic sense here is very strong.
Looking back at the more classic nosy clips:
Die Hard - The protagonist ran over to pick up his wife, and the gangster took the hostage with his wife, and it was a normal logic to desperately.
Big Divine Fist——Kenjiro is a wanderer, but when he was about to die of thirst, it was A Ling who gave him water to drink; this is a life-saving grace, and the next saving is logical.
Uncle-Won Bin had a relationship with a little girl The long neighbor life, the little girl often hides and plays with him, and develops feelings for a long time, especially Yuan Bin's own loneliness resonates with the girl's loneliness, and the two are only dependent on each other.
Here, a little girl who suddenly rushed in, let the protagonist die... It's unreasonable; but Uncle Sam may have a righteous heart, I'm too narrow, continue to watch
4. Asian security guards were killed.
This sucks. For a little girl, at the expense of others' lives.
In the Hollywood script, there is a typical setting in the first act - the protagonist or the protagonist group will struggle with the fate that is about to be involved; in this movie, the security guards in the supermarket don't want to save people, they think about their wives and children Hot kang head.
Under the mobilization of the protagonist, these security guards obeyed; began to execute justice, and then paid the price of their lives.
WTF?
Why are you so generous to others?
5. The death of the first security guard made the whole drama go downhill. From then on, the male protagonist turned on the protagonist's halo, killing and killing, not to mention all kinds of hacks in the city, and even taking a pistol to kill all snipers out of range ...what?
The ruthless and professional team of gangsters completely embarked on a mindless routine. The next hour was like the scene of a car accident. All kinds of appalling and illogical gunfights were completely unbearable.
7. If it's 80 years now, maybe I can give three stars; but now it's 2017, I can only give two stars for such a movie, no more.
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