Little Pete is the saddest character ever. At the same time, I also think that the scene of taking the little girlfriend to the house is the most exciting scene in the whole situation. In the next few episodes, it is a bit difficult to watch Pete. It was the only time of the season to see them eat dinner and drink red wine, and Pete had been preoccupied with dressing up for so long, wearing a very youthful green shirt. He begged Horace and cousin, if only once, to act like a normal family. We knew Pete's tragic experience before, the mental history that was most afraid of exposure, and the mental condition that can only be maintained by relying on drugs. We all know it well, but we didn't realize what the results would be after the information was released. In fact, we watched I wasn't so scared at the time, I wasn't worried about the exposure, because whoever got a thousand knives would say it on purpose, but Sylvia first said something that wasn't so heart-wrenching, and Horace told all the truth, not just us, Sylvia Shocked, Pete was speechless, he ignored his little girlfriend and said that Sylvia would not treat me like this even if you had a little love for me. What I didn't expect was that the exposure of these known information, not hidden information, under certain circumstances would have such a strong impact, shocking! An apparently common-sense experience turned out to be a disaster on one occasion. I don't know why Horace did this, he's not that cold, not as cynical as Sylvia, but he's actually quite happy doing it, and finally made the awkward dinner party, the new couple's relationship irreversible, The truth is finished, and the coldest truth is faced. Our audience saw it, and this is also the ultimate tragedy, breaking the most beautiful thing in the palm of your hand for people to see.
In fact, Pete is the most optimistic of them. He enjoys the life in the bar the most. Sylvia wants to sell the bar. Horace doesn't want to sell it, but he doesn't enjoy the old pete. Concerned about these, he simply enjoyed it and felt at ease. Sylvia can't stand the present, dreams of the future, and getting out of here is a must. Horace was messing around and had no motivation to pursue happiness until the last moment of his life, when he met a lovely fairy and played his favorite song, Paul Simon's America "Let's love each other, let's get married with good luck, my bag Some real estate, I'm going to sell my house and you'll travel around the world." At the end, they almost lived happily ever after, but the screenwriter was too zombie.
The monologue in the early part of the third episode and the flashback in the tenth episode, little Horace and little Pete became a very different parent from theirs, a kind of cycle, which also revealed the tragedy at the end. The flashbacks of the whole bureau are eloquent, and gradually we understand everyone and understand everyone's misfortune. Every real and complex emotion and every unusual real and complex life individual are captured.
I think what I dislike the most is that the one who talks the most, especially hates Trump and hates the Internet. He is actually a withdrawal of Louis ck's own will, which is too deliberate. If you don't know Louis before, it may be better to accept it.
The woman with the Tourette's disease is so funny. When she's nervous, she scolds nasty swear words. She scolds whoever is on the side. Cancer women, Jews, black women, 100% personal attacks. You really can't do anything about me. She scolded people to say that she was in a particularly poor physical state, which was ridiculous. In the end, I was beaten half-dead on the hospital bed and still scolding the nurse, which made me laugh to death.
And then the fucking mayor specially visited the pub (invited by Pete) and happened to be pete missing, Horace felt guilty and annoyed and beat whoever asked pete missing, and the mayor asked what a wonderful bar, so where's pete? .
This show is too embarrassing, almost any conversation will break up, Louie and his daughter, Louie and his daughter's boyfriend, each character has a good reason to prove that their relationship is not good, what is life? Not embarrassed.
The Centennial Tavern hired Paul Simon to compose the music, and the guitar solo sounds very much like "nothing, nothing, nothing can stop it." Simon & Garfunkel is one of my favorite folk singers, in my opinion like American hackberry, In The Graduate, The Sound of Silence, Scarborough Fair, Mrs. Robinson, it's great, Simon asked Louis, what do you think of my composition, and Louis said embarrassedly? just keep bing great?
The Horace & Pete tavern ends with pete killing Horace. It was not sold or closed, it ended in the most direct way. Ending Horace's son is back, and the big picture ends in a long cry after Sylvia's lighthearted words. Louis ck left a small tail for the play. I hope the whole story ends here. It seems that Louis means not to make a sequel. An open ending doesn't mean you make a sequel, it gives you infinite space to think. So far, nothing is shot is the most ideal result, and it is most in line with the operation of the century-old tavern. Louie did not do any publicity for this play, no production company, no announcement of the starring role, content, no idea how long it would be in total, and collected money for one episode, and then made the next episode. There are no promotional films, only real films, and you will be asked to pay directly. This is the most self-willed and the least catering to the audience. It is an independent work, a work outside the film and television industry and the system. At present, independent works that exist as American dramas are very unique.
View more about Horace and Pete reviews
