The movie is full of gimmicks at the beginning. A little boy has to face the "danger of death" every year, which is really attractive. In addition, the voice of the boy's dream dialogue is even more looking forward to whether it is a bit of a fantasy story, but the memories of the long editing later Kind of boring. (Although it is for the back and paving the way)
The heart under the drifting face is the most terrifying. There is such a line in "Hamlet": Weak, your name is a woman! Weak women are more likely to arouse men's desire for protection. But when the women are terrified, the men roll away.
Mothers with Surrogate Munchausen Syndrome—meaning a mental illness in which the patient makes others replace themselves as the disease’s role in order to gain sympathy, the suspense surfaced that all previous accidents were man-made.
The story itself is indeed a good story. Perhaps it is precisely because the original work is too dazzling and the degree of completion of the text is too high that it is difficult to grasp the visual presentation, so that the realization of the value of this film will only stop at the popularization of "agent Munchausen syndrome".
Natalie's modeling is completely superficial. It is difficult for people to examine her inner pain through her beautiful appearance, and the conclusions can only be "the most poisonous woman's heart" and "green tea bitch". However, it is unable to lead the audience to think deeply about life and human nature like the original work.
View more about The 9th Life of Louis Drax reviews
