A movie with Natalie and Ivan wouldn't be too bad. While I didn't recognize which Ivan was until near the end, the sandstorms in the west overshadowed his innocent eyes in "Big Fish" and "Chasing the Train" too deeply. Although the commercialization is seriously eroded now, the western films are no longer entangled in suspenseful plots, tense rhythms and dazzling actions. Realism has become the mainstream style. From "Unforgivable" to "The Hateful Eight", a large number of long The camera slowly introduces the characters and tells the story until the atmosphere is rendered to the extreme and the audience is about to fall asleep. After the guns are fired, the dust returns to the dust. This film can also be included in this genre, but the whole story revolves around this woman named Jane, and the story of Jane's husband's hero saving beauty should be regarded as a standard western script. In this film, it just becomes a story as a past event embellishment. Although the plot is constantly promoted through the dialogue and personal memories of the two people, in order to explain the excessive recollection of the whole story, there is a lack of psychological details, and the psychological performance can best set off the atmosphere, which also leads to the final ending. too fast. Three stars for the movie and one star for Natalie, who is as good as ever.
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