's favorite character, Elsbeth the redhead, is back. The proud series reminds me of the postmodern feminism's proposal to construct a discourse system that belongs to women. Kresteva represents the traditional male discourse system, and the style of doing things is that it is threatening, hard, and rough. This is what he understands as male politics. Elsbeth has always been bouncing around to deal with it. In fact, there are a lot of tricks in it. So the proud series has always felt very deft, stripping women out of the bulky and clumsy male discourse system.
Diane is 65 years old and looks as good in a love scene as it is in a love scene, and that grace and sensuality is a silent response to ageism. Is getting old scary? Just look at Diane and I don't think so at all. That is, no compromise, clear boundaries, love is love, sex is sex, mistakes are mistakes, and the concept cannot be blurred before the time of forgiveness. You are you, I am me. She was in trouble, and her estranged husband offered to help her twice, but she refused. So this role is more pure than Alicia feminism. (Of course not to criticize A for that, her weakness makes her seem real and lovely, and D is a textbook role model.)
That last line, "It's good to be wanted." is so handsome.
EP01 It's
not so much that I haven't had time to watch it, it's better that I haven't dared to watch it. As a die-hard fan of The Good Wife for many years, it is difficult to accept a spin-off drama without Alicia. So after watching it, I feel that it is unexpectedly wonderful. The styling and BGM are familiar styles, and they are as high as ever.
In the first episode of the first season of TGW, Diane said to Alicia while hugging Justice: "Men can be lazy, women can't." It can be said to light up my worldview. Not long-winded complaints and angry accusations, but light determination and poised conviction. As for the first episode
of TGF, although there have been new students, Diane is still the high-spirited and respected mentor: "Eventually, everyone reveals themselves."
It's almost exactly the same as what Alicia said when she comforted her client in the first episode of TGW. It's a tribute, especially to tears. TGW has been brushed many times, and I always feel that my purpose is not pure, and I ask too much from it. It can always bring me back to life with full blood in an instant, and immediately enter the battle state. So when I saw that TGF has inherited this value orientation, I was really excited and excited.
TGW is more about the confrontation between family and work, and the confrontation between love and marriage (after all, there is a wife in the title). And TGF's first episode feels like it's talking about the confrontation between the individual and the world. The emotional line has been weakened, and the character design has also been played more boldly. The new lawyer Maia is les, and the new law firm that Diane will go to is all-black. Looking forward to how this architecture will collide with the warm and cold human feelings and the hot and cold world.
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