The character and performance of Olivia Coleman are the texture of the entire movie. A stupid and absurd character, fat and ugly rolling all over, you can still see her love, her sadness, her lust and innocence in her, it is really rare. Love and sex don't just belong to the young and beautiful body, the embarrassed image should still be able to enjoy them sincerely. She reminds me of Wang Cailing who lives in Lichun from afar, but the role is obviously more difficult to perform. Oscar arranges it.
As a digression, weisz and stone are really the gastritis of A She and Ruyi in Yanxi Palace. In the second half of the movie, the palace fighting methods are extremely low and young, but the three female characters are so three-dimensional, and they are in the domestic palace fighting drama. Most of the characters have so much vitality and emotional impact than her three. In addition to their good acting skills, the most important thing is that Lanthimos dares to vigorously capture each of them in their crazy wide-angle shots that have been abused a bit, except for power relations. The fear, joy, and eros of being an ordinary woman. Due to scale issues in domestic dramas, shooting about Gong Dou, a subject that links sexual attraction with rise and fall, never dared to show any sexual tension in the lens, so I had to go purely to clean up the soup and fight for intelligence. .
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