There is shadow precisely because there is sunshine - also about the great Felicity

Rupert 2022-04-03 09:01:12

The animated film "The Great Felicity" was watched with my dad early in the morning on the second day of its release. After watching it, I asked my dad how he felt. My dad said it was not bad. People are chasing dreams, very positive energy, the heroine is also very good at doing things, very likable, there are no really bad people, everyone is very kind, it is still worth seeing. But the reason why this film review has dragged on for so long is because I have not thought clearly about some things. After reading many film reviews, the polarization is very serious. Cry; some people regard it as poisonous chicken soup, which is simply ruining the three views, and can't wait to avoid it.

The setting of the heroine of this film is really different from the silly white sweet setting of the heroine of the general animated film. She is maverick, and in order to pursue her ballet dream, she escaped from the orphanage with her companion Victor, and went on a rampage to Paris Song. The theater, relying on the super sticky talker and the smart and diligent help, got the opportunity to stay overnight, because Miss Tong impersonated others and went to the Paris Opera to study ballet. Under the careful care and education of Odette, she worked hard to learn ballet, and was favored by the Russian prince Rudolf. The night before the selection of the "Nutcracker" little actor, she went on a date with Rudolph, which triggered Rudolph and Victor. Because of the struggle, she was also sad and sad because she was late for the selection and performance, and temporarily lost the opportunity to perform, and was sent back to the orphanage.

So far, I have been watching this film with a very tangled state of mind. When she was sent back to the orphanage, I felt more relaxed than ever, because she was herself, Felicity, not Felicity. The "little mouse" who is overly self-inflated and wants to be "Camille". At this time, she was also helpless for a time, which made the uncles in the orphanage unbearable, but she also gradually accepted the life of the orphanage and truly understood that ballet was a way of life for her, so she continued to be full of enthusiasm He still lives on the roof and practiced dancing to the fullest. With the help of the uncle in the orphanage, he returned to the Paris Opera House and regained his role with his passion and love for ballet.


If you think about it carefully, this story is a story of self-identification, self-discovery and self-growth. Most of the reason why it makes us feel entangled or difficult to accept is because it shows the truth of growth from a certain angle, and also touches many delicate and real emotions deep in our hearts that we do not want to touch and accept. In fact, in the process of self-growth, everyone may encounter the same situation as Felicity. When they see other people's children, they will be envious, jealous, and tempted when they may take shortcuts. In the face of desire and honesty, we choose desire to disguise ourselves, we will hope to be the perfect she (or him) in our hearts, we will inflate ourselves in the face of small achievements, we will ignore the kind words of others, and we will get lost in the face of sudden love. Direction... Then I gradually understood what my true self is, what I am really good at and love, and what is indispensable in my life. It’s just that often times have changed, and we don’t want to recall the immaturity and ignorance when we grew up, and we don’t want to admit that we also had moments when we were self-conscious and wanted to be someone else.

I don't think this film can really destroy the three views of children. Most of the children who watched this animated film in the theater were quiet and serious, neither noisy nor noisy. Many children were watching Felicity's "Faith One". They even applauded when they jumped. They were all amazed at the beauty of ballet, and they didn't care whether Felicity was an impostor or not. A thousand readers will have a thousand Hamlets, and a thousand viewers will have a thousand Felicity, and you will see what you have in your heart. It is undeniable that "The Great Felicity" is a rather heartwarming animated film for the Spring Festival. Maybe it contains a lot of truth and irony that we are unwilling to tolerate, but this does not affect it becoming a romantic and beautiful, An animation full of dreams and worth watching, just like many ugly metaphors of reality in the original "Andersen's Fairy Tales" and "Grimm's Fairy Tales", there are shadows precisely because there is sunshine, and people often remember that those shadows are more valuable under the support of sunlight.
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Extended Reading
  • Juston 2022-04-08 09:01:13

    The three views are not correct, no matter what, you must have your own principles. One of the principles is not to steal or rob!

  • Della 2022-04-06 09:01:06

    Impostors and forcibly opening golden fingers will definitely be accused of poisonous chicken soup, and the heroine is not likable. But how much does an 89-minute growing-up film want to make sense of? Anyone who has a dream is amazing. The sound and picture of the ballet are fascinating. The characters' occasional French and Russian accents are lovely, and I just want to hear the French version. Odette is the most beautiful character, and the fire she disabled might be the black hand of the villain's wife. I am crying and laughing all get.

Leap! quotes

  • Regine: [to Odette, as she and Felicie are cleaning the stairs] Get up.

    Odette: [meekly] Yes, ma'am.

    [gets up, but keeps her head down]

    Regine: [referring to Felicie] Who is this?

    Odette: No one. She helps.

    Regine: YOU feed her. Out of YOUR wages.

    Odette: Yes, ma'am.

    Regine: I want you to air and press the linen.

    [whispers]

    Regine: NOW.

    [Odette leaves. Regine looks down at Felicie coldly. A visibly frightened Felicie resumes cleaning the stairs]

    Regine: It's not clean.

    [purposely pushes the bucket of scrubbing water with her foot; the water spills down the steps, much to Felicie's shock]

    Regine: Oops! Oh, look what you did.

    [smiles wickedly and leaves]

  • Felicie: [on her first day of dance class, shyly greeting the other girls] Hi. Hello.

    [to herself; when none of the girls respond]

    Felicie: Okay. Super.

    [louder]

    Felicie: I'm Felicie.

    Nora: [confused] Felicie?

    Felicie: [realizes her mistake] Uh, no, no, no, no, no. Sorry. I'm... friendly, ever so friendly. And my name is Camille.

    Nora: Okay. I'm Nora, but everyone calls me... Nora. That's... the name that goes with MY face.

    [laughs]

    Nora: Hey, you should warm up.

    Felicie: [to herself, confused] Warm up?

    [shrugs and tries to literally 'warm up' by rubbing her hands on her arms]

    Dora: [amused] Oh my. That is crazy. I'm guessing you're new, my darling?

    Felicie: [awkwardly] You can tell that because...?

    [Before Dora can answer, Mérante enters the room. The girls quickly gather to one side of the room]

    Felicie: Who is that?

    Dora: [rolls her eyes] You are joking, right? It's Louis Mérante, ballet master, world-famous choreographer, the man who performed the most fouettes ever in a single solo.

    Felicie: Foo-what?

    Dora: Turns. Really difficult turns.

    Nora: 187 in total. And right after, he vomited!

    Mérante: Silence, mademoiselle! First position, second...

    [All of the girls except Felicie go through the basic ballet positions]

    Felicie: [lost] What?

    Mérante: Third, fourth, and rest in fifth.