I prefer it to tell a kind of beauty, rather than let people taste it to appreciate what it is for the last time.
Read the story and feel it. enough.
About a third of the way through the story, I couldn't help but think it was saying "Dou Mien rises Mi Chou". In other words, people's inferior nature, dissatisfaction, and so on. Maybe there will be a reversal at the end, and there will be a happy ending that accompanies us to the end, instead of blindly tearing the soul with ugliness. In any case, it will be based on exposing human nature and satirizing a certain group of people.
But intuition tells me - it will never be so childish, so boring.
If I were a producer, I wouldn't want the final short film to degenerate from the flesh and blood of the fourth dimension into the most memorable picture, into a simple sentence "Dou Mien raises Mi Chou", into a proverb that even An example that is not profound enough will eventually perish in the long river.
I do not want.
I think it has infinite derivatives, I think it has endless aftertaste, and I think there will be people who, like the author, will write down what they feel with an uncontrollable mood. At least, I hope it's a meaningful sublimation, not a fast food. I was looking forward to long-lasting emotions _
luckily it was such a short film. Smelling in the early autumn, the body is cold without knowing it.
It is actually about two creatures, and then there is the heroine, who stole the hero's love for Winston.
Alluding to life, it may be like a parent first meeting their daughter-in-law, son-in-law, or a single dog (he thinks that the film is a puppy instead of a kitten, maybe the screenwriter has subconsciously associated this word) and finds that a friend is off the list...
By this. The plot begins to escalate. It began to have empathy qualifications, and its plot, which unfolded.
Such an experience, such an emotion, such a beauty—a delicious feast, a Feast of the soul.
but? Is that enough?
No, I still don't feel enough.
In this way, it is just an excellent short film.
It can only be said that it gave people the warmth of hindsight through innuendo.
Let the audience experience this kind of beauty in advance.
That's it.
so. What impressed me the most about the whole film, or what touched me the most, should be said that it was not such a beautiful plot.
It was the little flower that was often inserted into Winston's bowl after the heroine appeared.
Dear Winston, you must know that Feast is not a big meal, but the little flower in your heart.
I am obsessed with showing you such a kind of beauty that is based on all material things and does not depend on those things.
No matter what is in the bowl, I will pick up this flower and gently place it on top.
Whether you understand it now or not, I will pick up this flower and place it gently on it.
It doesn't matter that you are Winston, he is the male lead. I just want to present beauty to everyone.
It's purposeless, but it's also part of the purpose of my life.
Beauty emerges spontaneously, not in autumn and winter.
Even if I leave temporarily, that little flower remains in my heart.
it's here. I am not trying to assign any particular meaning to this flower that marks the author's imprint.
I didn't dare to write any more so that I accidentally distorted the viewer's true feelings.
But I really hope you can feel this beauty.
Please also always remember to go to Bright. Go beautiful.
Also about the meaning of the ending.
I think maybe just as a happy ending.
I don't want the story to end so simply,
but I want to reinforce this beautiful feeling.
Presumably the director is a person with a bright smile or a bright smile.
Pick up flowers, put down flowers.
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