don't try to understand

Layla 2022-03-15 08:01:01

What is unacceptable is that the long shot of Mizoguchi's fixed camera seems to have no expression of position. As a result, I, as the audience, seem to be a part of it, and the soldering iron of the person who wants to escape seems to be hot. is held in my hand. The final imprint is more like being branded on my forehead. In fact, Mizoguchi's meaning is all expressed in the lens. I don't know why, but watching these Japanese movies, I always feel that the expressions of the characters are very abstract and a little unreal.
Disrespect to people, as a slave owner of antweed mustard, ignorant and pitiful efforts, just feel that the change of the chef king is too fast, a decade later, the chef king has become the doctor's lackey, and when he buried Yamato. , when he heard or seemed to hear his mother's singing, he changed his mind and wanted to get justice and return to his mother and father. Maybe this is too abrupt, and after reading it, I learned from the comments that Mizoguchi originally wanted to photograph the psychological process of how Dr. Sanjiao became such a cruel and violent slave owner, so for Chef King’s comments The depiction may not have been intended to be too much ink. But then it became like this, the chef king's revenge, and became a producer. The audience wanted to see it. I don't know if I followed Mizoguchi's intention to shoot such a real "Doctor Sanjiao", what would it be? It might be better to express what Mizoguchi wanted to say.

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Extended Reading

Sansho the Bailiff quotes

  • Taro: Even children as young as you are sold and bought, treated like animals, and nobody questions it. What a horrible world.

  • Taro: [to Zushio] I found that humans have little sympathy for things that don't directly concern them. They're ruthless. Unless those hearts can be changed, the world you dream of cannot come true. If you wish to live honestly with your conscience, keep close to the Buddha.