Beijing Film Academy Bellatar meeting shorthand 2015-3-29

Hailey 2022-03-29 08:01:02

Bellatar:
It's crazy to want to make a movie about Beijing after only five days in Beijing (Su Mu asked a stupid question with Chinese characteristics: If a director wants to make a movie about Beijing, China, what will he be filmed? The director’s strength slaps the face hahaha)
Turin horse is a movie about life We do some daily things every day, every day repeats every day but it’s not the same You are getting old day by day and you will die in the end
God Genesis took seven days for the movie to use one The opposite process shows how the world is destroyed. I don’t believe in the existence of God.
When making a movie, it may be the most important thing to choose an actor. I do
n’t really care about the script. I will determine the characteristics of the character according to the actor’s own character. I need to
create a living environment with the actor. It's being not acting or playing
How to choose this horse
Saw gypsies selling horses at a Hungarian market Please give me the worst horse they gave me the laziest horse they don't want to do anything they pay Demonstrates the push that horse is dead or alive, we decided to buy this horse at the
time Each card will write a scene, such as where the girl goes from, and put the card in the place where everyone eats every
day The location has its own characteristics and soul.
Sitting at home and designing the movement of the shot in advance is useless. When the scene arrives, the scene will be selected according to the actual situation, and the characteristics and atmosphere of the scene will affect the shot design. The time and light of the scene are also unpredictable. Maybe it makes more sense to design the camera movement. The
actual shooting time only took 50 days. At the beginning of the spring and the end of the fall, the
young directors always have financial problems. It would be better if you could have more financial support when you were young, then your ideas would be more imaginative and dynamic.
I don't think my films have anything to do with Ozu.
I really like Ozu's films because they are very tender and delicate. I also like Hitchcock's films. The tension created by his films is very successful
. And artistic value but I prefer black and white. Color or black and white depends on the needs of the film itself.
I am a person who likes to dominate. I have to find the venue by myself and then go to the venue by myself. After you have figured out how to move and how to move the camera, talk to the cameraman about where the camera is, and then discuss the lighting, atmosphere, etc. Of course, the cameraman is very important. He can have a say in the content of the shot.
People always ask me why I don’t make a movie I decided to stop answering this question. Does the person who asked this question not use the Internet? I made movies when I was young I wanted to break the rules and change the world Over time I learned that what makes me angry doesn’t have to come from society The more I make movies I slowly find my own language for movies I try to keep it more and more concise and pure After filming the Horse of Turin, I think it can really be finished. I have finished speaking the language of the film and I have matured. This work has been perfected. Of course, it is good to shoot. Being a director is a great job, but if you continue shooting, you can only repeat yourself I also don't want everyone to think that my
daughter is reading the
scriptures. The content of the scriptures expresses hope that there is no sacredness that does not exist.
When you refer to Beratar, it actually stands for four names: a director? Producer? A screenwriter myself, a composer , a
composer, who has finished composition before writing. I think music is very important as much as the characters. I have to make sure before shooting. When the music, script, and actors are all confirmed, I can start shooting. I trust composition a lot. Home lets him play freely and puts on a soundtrack to get everyone into the situation while filming and framing the camera movement

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Extended Reading

The Turin Horse quotes

  • Narrator: In Turin on the 3rd of January 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert, perhaps to take a stroll, perhaps to go by the post office to collect his mail. Not far from him, the driver of a hansome cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver - Giuseppe? Carlo? Ettore? - loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene caused by the driver, by this time foaming at the mouth with rage. For the solidly built and full-moustached gentleman suddenly jumps up to the cab and throws his arms around the horse's neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words "Mutter, ich bin dumm!" and lives for another ten years, silent and demented, under the care of his mother and sisters. We do not know what happened to the horse.

  • Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.