The girl who traveled through time and space in the Hosoda Shou trilogy first appeared, and then the summer battle broke out. Compared with the first two parts, the children of the wolf, Rain and Snow, were a little dull. Tian Shou is a first-hand bag, and the subject matter is so attractive. I believe that he has always been of high standard and sincerity. He is full of expectations for this film.
The first half of the human children accidentally broke into the monster world and cultivated together with the rough-hearted Xiong Che. The two grow together. The stubborn Jiutai and the only brute force Xiong Che fell in love with each other and grew up (the words are not enough to express mind), the second half is from Jiutai He went back to human society by mistake and met a girl of the same age who taught him to read and began to collapse. He didn't explain anything, and he didn't have any premise. He wanted to go to college and wanted to see the outside world. Dad was angry and returned to the world of monsters. His father said, let go of the pain in the past and start again. Jiu Tai is angry, he is angry because he has not suffered at all for the past nine years. He and Xiong Che have a lot more Qiu Da traveled around and worked hard to cultivate both bickering and persuasion. Since he has accompanied and grown up in the monster world, he suddenly said that he would go back. This reversal is really not persuasive.
And the film began to collapse from here. The painstaking preparations in the first half of the film collapsed. The grandmaster finals, which were heavily inked at the beginning of the film, ended in an anticlimactic manner. It seems that these nine years of hard work and training have taught Jiutai to Xiong Che at the beginning of the film. The sentence of practicing swords is like roar, roar, and when two human sons are dueling, a virgin jumped out and said with her mouth that we will not lose. We are not fighting alone, Hosoda Mamoru, when did you start to put these The must-have phrases for teenage climax on the bad street have been collected. The character design of the film is also painstakingly managed in the first half. The brute force Xiong Che and the stubborn and dexterous Jiu Tai are both lonely and sincere. They complement each other and improve the practice time of spending the monster world together. A kind-hearted and friendly gentleman, Baiqiu Da, who accompanies this practice duo in the wind and rain. The first half of the characters are already full of wings, but the second half is broken, and there is not much ink in the front. Ichiro Yan became the ultimate villain boss, Xiong Che escaped the sharp blade piercing the chest but couldn't escape the arrangement of Hosoda's poor skills, so that he was reincarnated into a god and turned into a great sword?! Nani? Are you kidding me?! Jiutai swallowed the sword that Xiong Che turned into before he started fighting, and then slashed through the beluga that Ichirohiko turned into and exploded into the sky. Do you think you were wearing it on the set of Shinkai What about fireworks?!
What is the theme of this film? growing up? Master and apprentice? responsibility? take responsibility? Moral? Human beings are sheltered in darkness because of their weakness, but in the duel at the end of the film, even if they are as strong as Jiutai, they are still sheltered in darkness, and they can only rely on Xiong Che to be reincarnated into a god. Said, I can fill the vacancy in his heart, that is the only thing I can do for him that is useless, I thought he was going to jump on the ground and fight side by side with Jiu Tai regardless of safety, but I didn't expect to give such a result. Therefore, how to deal with the darkness in the human heart, Hosoda Mori did not explain it well, and Xiong Che's practice did not eliminate the darkness in Jiutai's heart, and even the source of this darkness is somewhat inappropriate, because the weak are boarded, but Jiutai is bright No longer weak. The contest between the sons of humans, who were raised by the two monster bosses, was actually not persuasive, and the explanation was incomplete. And in the end, I really can't complain about the ending that Jiutai returned to human society and didn't draw his sword again.
The theme is not clear, the second half collapsed badly, and Mamoru Hosoda used a high standard and sincerity to tell a good story to an unfinished end.
If we talk about the advantages of this film, it may really only be the sincerity of Hosoda Mori. The sincerity of the sound processing, the left and right channels of the ambient sound and the background sound are more than my dulled hearing. From the right to the picture and the left to the left, the picture can be run first and then the left channel. This painstaking and harmonious Sincerity is really rare. In addition to the sincerity in sound processing, details can be seen everywhere. When Jiutai practices writing, the camera pans to the left, and the words written by Jiutai increase stroke by stroke like real writing. And the monster world created by Hosoda's efforts is also eye-catching. This parallel world has a deeper and boundless starry sky than the world inhabited by humans, and it will be purer and more magnified. Jiutaigang accidentally entered the monster world. Dry goods and monsters are crowded, and the streets are full of lights, which is really eye-catching. (But why does it look like Chihiro broke into the world of Shenyin by mistake)
But Mamoru Hosoda, you have taken great pains to even give us the left and right channels, so you can't write this story well and then tell us about it? I can only boast that you are a brainy person who can break through the sky in terms of imagination and escape three feet below the earth.
Xiong Che, this monster, is really good, and it's a pity that the back end is unfinished.
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