The whole film introduces some older pop music, from Louie Louie in the 60s (by the Kingsmen, the ringing of the phone) to Private Eyes in the 80s (by Hall & Oates), it should be repairing used cars with Diaz Together with the work, it is setting off the "old" and "nostalgic" atmosphere of the whole film. After all, the hero and the heroine are almost 100 years old in addition (beating). Speaking of Private Eyes played loudly in the genius refuge scene, I only learned about this song because of Bebel Gilberto's cover. This should be regarded as the most listenable of allegro songs in Bebel. I always think she has a strong voice. There is more than enough explosive power that is not suitable for Allegro songs...too far.
The reason for mentioning this song Private Eyes is that there is such a sentence in Bi Chenggong’s film review, "In addition, I don’t know if it’s a sequelae of "Going Forward" and "Duel Yuma Town". "Spy Spy" comes out in twos and threes from time to time. If I can find any shortcomings, that's all. The rest is the fun of watching movies easily. "I wonder if the country song package mentioned by Teacher Bi does not include this one? In fact, if you are familiar with the lyrics of this song, you will find that this song fits the theme of the movie quite well, such as the bridge part of this song:
Why you try to put up a front for me
I'm a spy but on your side you see
Slip on, into any disguise
I'll still know you
look into my Private Eyes.
This is simply a naked spoiler on the theme of the movie--Look back at Louie Louie's lyrics. Isn't this what Diaz
said ... So I heard that I was watching the movie Suddenly this song has a wonderful feeling that matches the heart of the movie. It's like reading the Old Testament before watching Magnolia, so that you won't be inexplicable about the last paragraph. The biggest difficulty when watching foreign movies is the cultural barrier. If you can pierce this layer of window paper, the pleasure of watching movies can really increase exponentially. Speaking of the episodes in the film, I have only heard the two songs mentioned above and the Scorpion’s Rock you like a hurricane. The timing of the appearance is very suitable, here ( http://reelsoundtrack.wordpress.com/2010/06/23 /knight-and-day-soundtrack/ This blog is dedicated to sorting out the songs that appeared in the movie that may not be seen in the original soundtrack) A master has sorted out the names of the tracks that appeared in the film. If you are interested, you may wish to take a look.
The theme song at the end of the film is Black Eyed Peas’s Someday. At the time, I was still complaining about how a whole movie ended in the 60s to 80s but it ended up being so electronic...
By the way, when it comes to the old songs in the movie My first reaction is the "Honghu Water, Waves, Waves and Waves" when Liang Jiahui and Bai Ling are passionate in "Dumplings in Three Watches"... and they are far away.
Well, if you don’t show Inception in July, the only foreign movie you can watch is this... Besides, the North American box office of this movie is so bad. Is Mission Impossible 4 really hopeless?
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In fact, this movie can be seen as a supplementary version of Vanilla Sky last time between the two of them. Last time they worked together to contribute to the second generation Oscar winner Penelope Cruz produced by Liangtang, and also contributed a section that impressed me very much. The line is roughly that Liangtang got into Diaz's car after making friends with Pan Pan. Diaz asked Liangtang, "What is happiness to you, David?"
Liangtang didn’t give an answer yet. Diaz said: "'Cause to me, this is happiness... just being with you. "
Think about this movie, there shouldn't be any future Oscar winners who will break the marriage of the soup, Katie Holmes, don't worry...
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