Saw I: There is a game that calls you life and death, to teach you cherish your life.
A simple opening, the story is always carried out in the basement bathroom like a toy.
Two prisoners, either you die or I live, and they have to find clues to survive in the tattered place.
When Adam's hand reached into the toilet, I almost vomited-is that bucket of yellow water real?
When Dr. Lawrence saw off his foot, he felt a little sick. Wouldn't he faint? Also, after sawing, the face became more waxy, especially before he walked out the door, he looked back and said to Adam: You believe me, I will come back to save you. ——The look in his eyes made it clear that he would not come back to save people. Wouldn't his little affair of saving Adam be exposed? He wouldn't be so stupid.
In the end, the mastermind was actually a "corpse" lying on the ground, which reminds me of the mention in Criminal Minds that serial murderers usually intervene in the case in various forms.
This old gentleman really found a good seat for himself. The sequel proved that he designed a trap to let others choose live or die while holding the display (not popcorn) to watch.
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Saw II: Life is a game. What you want is often already by your side, but you can't see it because of your anger. You will be punished for violating the rules of the game.
Continuing the style of I, I like to make the final touch: it turns out that Amanda has been "reborn" as an apprentice.
Eric's crooked foot shows that there is more than just "saw" to get rid of the fetters, it can also be "smashed" + "smashed".
II is not as exciting as I. At least you have to look for the combination of those numbers to open the safe.
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Saw III: You have mastered all the skills and techniques, and can even be innovative. This is a good apprentice, but if you only know how to pursue technical sophistication and ignore the original intention of doing things (yes Give people a chance to choose instead of torture), then you will be expelled from the teacher's door.
Personally, this third part is the best-looking.
I really admire the dying person who can design such an ingenious serial plan.
Quick-freezing punishes indifference in the face of trouble, pig water punishes rotten power and money shady (the black kid is a medical student, and drives a sports car, and his family is definitely rich), torque punishment distorts the facts and easily escapes. These tricks are cool and also Rich in doctrine.
Although the design is clever, but the method is extreme, and in the end Jeff forgave the man who killed his son but couldn't let the man who deceived him.
The most important thing is that the master has worked hard to educate his apprentices: girl, you have gone wrong, I will give you one last chance. It is a pity that the apprentice is too emotional and wants to kill everyone. This goes against the values of the master. If you don't cherish, you have to die.
Also, in the end, Jinsaw dumped something on the trolley. This small fragment paved the way for Saw IV.
The few minutes of sawing the skull open is really unheard of, and it is amazing: it turns out that there is a layer of membrane between the skull and the brain, and the living body will not die if the skull is cut open.
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Saw IV: Even if your desire is good, you are not a god after all. You cannot save everyone, and sometimes you even do bad things with good intentions. Therefore, when it is broken, it is broken, and when it is time to abandon, abandon it.
The eyes of the weird hoffman in Part III are very strange. It turns out that he is another apprentice, an apprentice who thinks he will live to the end.
The cruel Eric finally died, always thinking that Rigg, who could save everyone, was still killing people.
At the first glance, I thought that the director’s logical order was wrong. Later I realized that it was a flashback. Two live experiments started at the same time, Jeff and Reg, and the two apprentices were training at the same time.
This series is pretty good, I don't know how V will shoot it.
There is just a question: what did hoffman write in the envelope for amamda?
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