After watching it, I feel that this film is not suitable for children to watch, um, I will not add him to the "list of animations for my younger brother" for the time being. Before, I went to see Robot No. 9 by myself in order to draw a steampunk-like picture, and I was in the mood to relax after watching an animation after a tired day. When I saw the protagonists die one by one in the despairing and deserted apocalypse world, I , really, kinda think, hit people. Sorry I'm too young. The same dark world, the same sad ending. The emotions in the human wolf are very delicate and soft. Fu, who does not know the human touch, walks together with a girl who was originally desperate in life. The two live in two extreme circles in a chaotic era. This will not be a situation where only one side can be cured. s story.
On the other hand, it is not suitable for children to watch. Many plots in the film are not clearly explained. For example, using various details to realize and being monitored is more about observation and speculation. Fu almost never said a word on a date, but several times the director used the camera to pay attention to Fu's eyes, which made me feel that this guy didn't speak and kept staring at the girl going up the stairs, and she could see the girl's thin legs sizzling a little. a feeling of. For the shaping of the male protagonist, I really admire the five-body hugging thighs, and there is no expression, movement, or psychological description of the knockout. But the human nature of the struggle makes me very worried XD Personally, I think it is difficult to create a cold character without generalization. He has not many things to do, and what he does must reflect his unique charm.
Regarding the ending, Fu still shot, has he changed in such a long spiritual experience? The whole story is connected with (dark version) Little Red Riding Hood. The dark Yu in this animation is still very obvious. The heroine always wears red clothes. There is no hunter in this story. If there is, it may be the human side of Fu. In the end, the human being who did not come forward was Fu Yigui.
However, Little Red Riding Hood from another angle, the person who wants to go to his grandmother's house (new home) after breaking through the iron armor is also a man who subdues himself, gives up most of his thinking, and is eaten by his own animal nature and cruel world.
The art of the film is excellent, I especially like the background image and the still frame at the opening. The things I usually see are exaggerated and deformed in the European and American directions. Such realistic animations are very rare (shao) and (qian). The rhythm control in the film is very precise, especially in the part from the beginning of the contact with the girl, chatting, shooting, acting, storybook, dating, nightmare, all in one go, 100,000 likes, you must pull the clip.
Finally, I want to talk about the museum scenes that often appear in it. Fu is going to learn more about the girl (the awakening of human nature) and he goes to save the girl, which all happened in front of the wolf specimen that was placed in the glass case. I'm just guessing, is this the director's hint that no matter how hard the wolf struggles, he may break the glass and leave the city's system and this battle uniform. At the end, Vu clearly doesn't act like killing his lover as if it were his last struggle. Who doesn't want to walk into the jungle at the end and disappear without looking back, is that tiger?
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