You should do what you like to do while you are alive. But first you must have money.

Uriel 2021-11-12 08:01:15

The central idea of ​​1Wonderful Night in Museum 2 is this: Everyone should pursue their ideals and do what they like to do. But first you must have money-in order to donate it to the museum's protection friends.

Basically this film is very fun. But I always feel that the values ​​are a bit problematic, or that I can’t accept the values. After all, the main line of the plot is that the actor started his invention and entrepreneurship through the ideas he got from friends in the museum, and got rid of the previous failure. Life, but he was unhappy in starting a business, and then learned from the female pilot girl that "people should do what they like to do while alive", so he sold the company (donated it to the museum) and went back to be a happy security guard.

……But the problem is that he is an invention and entrepreneur, not a boring small civil servant (Little white-collar workers, politicians and mad scientists are simply the three traditional unfortunate or villain professions in American movies…), And the description of his work at the beginning of the movie will only make people feel "hard work" rather than "boring"-it is clearly the rising period of entrepreneurship. As a result, the main theme of this film is to be a happy security guard who denies the life of an inventor and entrepreneur who is a hard-working inventor and entrepreneur in high-end suits, so it is inevitable that it seems too...personal? ——In other words, it’s more like an escape from life, because neither the "negative" of this story nor the object it denies are powerful enough to resonate with the audience. For example, if a little white-collar worker (required It is a Japanese white-collar worker who is known for his misery) One day he suddenly tore off his tie and decided to go to rock and roll. This "negation" is definitely very powerful. XD

-Of course, too much sympathy is not necessarily a good thing, otherwise everyone will have to quit their jobs and become museum security guards. NS.

Other thoughts are "So happy! So happy! So high!" The part involving American history is more confusing to audiences like my parents who are not familiar with them (not to mention them, even I don't know the golden wool waste. General!), but it can reflect the national character of people from all over the world. For example, Aljia is full of passionate idiots, Napoleon (yo Xiaolun!) is like a disgusting man in BIG BANG, and Ivan...oh leak ! Why is Lei Di Ivan so natural and honest with his facial paralysis! Still riding a small bicycle with an innocent and cute look! He also said, "Can I not call this name. Young people now think I am particularly thunderous. In fact, I am not thunderous at all...I should be called Yifan Niu Di"! Don't be cute, damn it! And Octavian was also stunned...

Also, when I saw the Black Samurai and whoever from Sesame Street appear together, I almost laughed...and the monkeys! There is also an aviation museum! What are those scientists thinking about? Hahaha!

PS: The thing I started to care about inexplicably is whether the introduction of this film into Japan will be "the [thinking body] of various historical celebrities resurrected in the museum"...

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Extended Reading

Night at the Museum: Battle of the Smithsonian quotes

  • Sailor Joey Motorola: [sees Kahmunrah's men] What am I lookin' at here, Mardi Gras? Where unit are you from?

    Larry Daley: Uh, I'm from Brooklyn.

    Sailor Joey Motorola: Brooklyn? Are you serious? I'm from Flatbush! Hey fellas, these so-and-sos are tryin' to rough up my pal here just because he's from Brooklyn!

  • Larry Daley: I am an inventor, I invent things.

    Amelia Earhart: Oh, like the rocket ship?

    Larry Daley: No.

    Amelia Earhart: The sea plane?

    Larry Daley: No.

    Amelia Earhart: The dirigible?

    Larry Daley: No.