I will contribute to the box office of the movies I am interested in, but I don't like watching movies for the fame or word of mouth of a certain person. Even if someone you admire, director, screenwriter and actor, may not necessarily have the same vision as you. It's not easy to be disappointed by choosing only the content of the work, that's what I think.
The reason why I think it is pretending to be an open ending is because an open ending should be an argument with various objective and logical evidences to become different endings, and I don't see any objective evidence that makes me believe that the heroine is from the future.
Although there is no account of whether the black woman is real or not, but there was a police ambush in the end, so the identity should be real. On the premise that the identity of a black woman is true, she knows that the heroine is the head of the militants, then this sect is a cult, and the heroine does not come from the future.
Then I want to talk about my other doubts about denying that the heroine is from the future or saying that she is lying:
when the heroine and the hero drink and smoke, they say that they only come from the future and are not saints. Why is a person who needs oxygen inhalation due to insufficient oxygen supply or circulatory disorder, etc., allowed to store alcohol and cigarettes?
Everyone has to bathe and change clothes, which is almost stricter than entering the operating room. Earthworms are eaten in the operating room, which can be cultivated aseptically. And then smoke? drink wine? face to face? Long close conversation?
Every time the heroine first appeared in front of everyone, she had to inhale oxygen. If it's that serious, why isn't it needed during events, in the room, or out to meet little girls? Do you have to inhale oxygen first to show those believers who may not trust themselves enough?
The blood-like filter on the wall is also a mystery, but it can also be assumed to be a loophole in the movie, and the conditions such as the production temperature of blood products are unknown.
When the heroine sang, the heroine was questioned. She said that she doesn't care whether others believe in her or not, it's just your choice. The former has contradicted her in persuading others to join the religion from the beginning, and the latter is to make believers believe in themselves and become beliefs. Beliefs are free. Faith is far stronger than compulsion. Because after the belief is established, if others want to deny your belief, you will feel that others are denying you, and will activate the self-protection mechanism to fight for your belief. Thinking this way also fits the conditions she needs to establish a militia organization.
The male protagonist later went to the long-haired old man and said that when the agreed place needed to be outside, the old man was picking apple seeds, which reminded me of the scene where everyone ate apples and spit it out in the middle, but everyone was already fasting and eating earthworms . So is Apple preparing for the next batch of people? But it seems to be a little early to prepare.
At the end, the little girl asked her why she knew her secret gesture, the heroine must have known it from somewhere else (because she is not from the future), and planned to see the little girl from the beginning, assuming she didn't fall into the trap and be taken away, Can the little girl believe that her future daughter will come to see her and save herself. Does the heroine plan to let this simple little girl help her convince others and develop a cult?
However, the heroine has a strong mentality and thinks about fear.
For example, the heroine did not tell everyone that the person she wanted to protect when she came back was her mother, but the heroine induced the hero to confess her desperation and anger over losing her mother, and then the heroine told the hero alone that the person she wanted to protect was her mother. . In fact, there is nothing difficult to say about this. If you don't want to tell the male protagonist, you won't step back step by step and seem unwilling to reveal your true thoughts, but will directly let him get out of the way just like the person who was kicked out. The female protagonist just wanted the male protagonist to have the illusion that she "knew the female protagonist's little secret" and thought she was here to save her mother.
The long-haired old man began to say to the male protagonist, finally, Peter, welcome
every day when the little girl comes home, she is using building blocks to build a building complex or something, and then writes terrorist (terrorist) on other people's schoolbags = = ! !
In the end, people will only believe what they want to believe. I believe there is only one possibility, the heroine does not come from the future.
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