Marie is introverted and quiet, she meets the easy-going Tori and the unruly Paulie, forming a lost girl of three. Tori and Paulie love unscrupulously in a secret and small space. Once caught, Tori's fear and awakening to reality is particularly rapid. Facing the abandonment of her biological mother and dissatisfaction with her adopted daughter, Paulie said she was the only one who loved her. She is so lacking in love that she loves so paranoid and desperate. The care of flightless vultures may have initially been a projection of maternal longing. This time, the vulture is Paulie, and Paulie is the biological mother. Gradually, the vulture is Paulie, and she wants to fly out of this small space to stay with her lover. From Vulture and Paulie, but also let me see feminism. In order to protect their love, women began to be strong and uplifting, and declared war with men. A true feminist should not hate their own weakness and blindly yearn for the strength of men. Even if you are weak, you can admit and accept it without losing the will to become strong.
At the dance, Tori never dared to admit that she loved her, and the moment she turned to her father, I doubted that she once said that she loved her, but she loved herself and her family more.
Marie volunteered to help the gardeners on the campus, reconnecting with her deceased mother in the clean and dirty soil, and clearing her mother's face step by step again. When the headmistress faced Paulie who was almost crazy, I understood a few repetitions and couldn't stop her, but she could clearly see a softening in her eyes. Dirt was healing for Marie, and vultures were for Paulie.
In the end, Marie said that she was able to survive the darkness because of her mother's love. Paulie can't, because the only person who loves her has decided to go. The shot of the bald eagle flying makes the nose sore.
View more about Lost and Delirious reviews
