Allow me to run a lot of questions.
This film reminds me a lot of Koji Wakamatsu's shadow, but Wakamatsu also makes it clear that he is a left wing, and the supervisors such as Oshii Mamoru are completely invisible to you. If you really want to find out what kind of faction he is, I'm afraid you have to watch it. Articles, manners.
In fact, women have too many places to condemn and blame. But the heroine in the human wolf actually recited the story of Little Red Riding Hood at the end. If there are countless doubts in the middle of the story, then the ending is really good. Because it is difficult for women not to betray people in the process. Love can't save the world, love can't do many things, candid can't, can't lie, we can't help but already know that economical, refined, extravagant "truths" and "isms" can't really achieve what he preaches. But a little love or a lie, love or frankness is okay, too much love may be a disaster. The woman could just be waiting for him to drop the gun suddenly, say a corny line, and touch her face. That way women won't blame him. Women are more sinners than men. They murder and seem innocent. They show remorse, but it seems that someone always suffers on their behalf. But even so, as men, let's shed a little blood! Stream a little! Streaming, even betrayed. Because that's a man. It's romantic. If you confront women again and again, then the dream will not be completed. The world would be boring if there was only one melody. Certainly, women are expecting other endings. You see, people who are good at politics are always preaching, obviously unconvincing. Why can't wolves become human? That is not letting go. Learn from Zhuang Zhou. All things are equal.
But the ending is the sadness of the oriole behind, and it is multiple despair - if Fu fails to shoot, the person in the window in the penultimate sub-shot will shoot, and I am afraid that both the male and female protagonists will die.
This work reminds me of three works, the three war works of Naoki Urasawa, Akira Nosaka, and Ying'an Qiao Otomo Keyo. Japan is really great. Although many people do not understand Japanese manga and animation, even if they do, it is only Hayao Miyazaki. When it comes to profound works such as stream of consciousness and dystopia, they do not like it and do not want to watch it, but it does not damage the glory of Japan. , China also has independent works, which is not bad, but who dares to oppose the government in the works? And Japanese manga is the norm. As Li Dazhao said, there is no restricted area for thinking. You don't even give people the right to think about, and it's strange that they don't go out on the street to rape and fire. Although the dark forest may not exist, the world will be dark for the day that politics exists.
ps: The protagonist looks too much like Gus-Gazi from the Branded Warrior.
ps2: Wang Xiaobo said that "1984" is not a science fiction novel. It can be seen that "The Wolf" is not a science fiction work, but a reality.
ps3: Someone mentioned enlightenment, and I picked it up after I got back:
Human knowledge is very interesting. The so-called great thinkers throughout the ages thought that Confucianism and Buddhism might be nothing, and even opposed it, believing that there is no brain and no logic. Yet the revival of irrationalism is not a tragedy, but a good thing. Nietzsche actually inherited Vico and opposed rational enlightenment. But the average person still needs reason, or a little religion. The doctrines of Nietzsche and Foucault only apply to the most thoughtful, dedicated people.
Enlightenment has nothing to do with left and right. Voltaire Rousseau was an enlightened man, but completely two factions. You probably mean that Adorno was sarcastically said by Glass that "the most proud protégé of the revolution is always fired by the most, far left". But revolutions are a thing of the past, and everyone knows that revolutions may not bring about a good society.
I think not enlightenment is also a myth. Humans are that kind of thing. Fortunately, more or less liberalism has entered the hearts of many people as seeds. Recently, when I saw what happened before Dadaism and Futurism, I couldn't help but be horrified, although I also thought about that kind of violence. The early avant-garde people not only wanted to play well in literature and art, but they couldn't take it anymore, they couldn't stand the literature and art world, and they wanted to kill ordinary people. They yearn to be recognized by ordinary people, and set off a movement of infinite scale, which in the end is godless (in a general sense).
Finally, because of listening to Lin Yusheng talking about his thoughts and literature, he believed that Liang Shuming was higher than Lu Xun, and some people thought that Lu Xun was too ghostly. Little do they know that Nippon Jing is such a kind of work, so it is noble and noble. Those who can't stand deep and questioning, just go to Hayao Miyazaki, and don't need to read any psychoanalysis or fairy tales or science fiction.
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