Feminist Dream

Agnes 2022-09-29 08:26:20

1.3 women was 25 years earlier than Mulholland Drive, and I wouldn't believe it if Lynch never watched it. If Nolan wants to say that he never watches Japanese animation, I don't believe it, "Red Hot Chili Pepper" and "Inception", "5 Centimeters Per Second" and "Interstellar"...

2. The kindness of altman is that he does it without pretense. What about "the audience please interpret it by themselves", "different perspectives have different interpretation methods", every time I read these words, I feel very fucked up, what do you think of consumers! So at the end there is an answer.

Three generations of grandchildren, grandmother had a dream during a nap, in which the granddaughter was divided into two people: one of them still looked like a granddaughter, and the other looked like a daughter. One's full name is wildred, and the other's nickname is willie.

And the daughter has become her own appearance.

3. In addition to the name hint, the director also specially arranged a pair of twin sisters to dangle around, lest the audience not understand, which is really caring. Be kind to consumers.

4. David Lynch's "dreamland crossing" is usually a dead end, through a dark passage, walking, walking, walking to the dreamland to go to the bird......

The symbol used by altman is falling into the water, and Sissy Spacek fell into the swimming pool , bumped his head, woke up and turned into another person, in fact, another clone.

Wilfred became willie, the girl became an adult woman, and the naive and ignorant turned into scratching and posing, and began to provoke men. So it makes no sense for Cannes to give the award to Sydney Duvall instead of Sissi, who is acting across two age groups.

Wildred said I was sexually assaulted by a doctor while I was in a coma. Therefore, "falling into the water" also seems to be understood as a woman's first night, after losing her virginity, her ignorance fades away, and her sexual consciousness appears.

5. Altman said that the inspiration for the film came from his own dreams, so the mosaics in the film and the bar in the desert where the story takes place are very dreamy.

But the biggest credit is definitely the soundtrack Gerald Busby, but on this gentleman's resume, his main job is to make music for ballet.

After finishing this case, it was not taken over by Hollywood? Is he despising the job of a film composer or is Hollywood deaf?

6. Bergman's "Masquerade", which has a great influence on this film, I haven't seen it...

7. In the dream, the mother gave birth to a dead boy, but in reality, the mother gave birth to Daughter;

in the dream, the women completely abandoned the stinky man whose wife was giving birth and still cheating. In reality, the mother and daughter joined forces to kill the father and escaped the police. In the end, three generations of grandparents and three women live happily.

How prevalent was feminism in the 1970s, and men lost the right to live...

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Extended Reading

Three Women quotes

  • Dr. Maas: No. I do not think this was a simple mistake. The chances of her making up a Social Security number exactly the same as yours are very slim.

    Ms. Bunweil: She maliciously gave me your number when she filled out her W-4.

    Millie Lammoreaux: How could she have? I didn't even know her then.

    Ms. Bunweil: Don't get smart with me, Lammoreaux. You can't fool me. She told me she couldn't remember her number and was gonna write home for it, and, like a fool, I believed her.

    Millie Lammoreaux: So maybe she forgot to do it and just gave you mine instead. She didn't mean anything bad by it. I don't know what makes it such a big deal. She's just a little kid.

    Dr. Maas: I'll tell you what makes it such a big deal. I do not want any discrepancies in these records. I do not want government people coming in here going through these books. I think Rose did this on purpose.

    Ms. Bunweil: I didn't trust her from the very minute I first laid eyes on her.

    Millie Lammoreaux: She never did anything wrong on purpose. She's just scared of you, that's all. Then she almost died, and nobody even cared around here. You're the bad ones, not Pinky. All you care about's your time clock, your money and your dumb books. Well, you don't have to worry about any Social Security numbers anymore, because I quit. It's a horrible job. And we don't need it. Neither of us.

  • Millie Lammoreaux: All right, Pinky. How come you stole my car? Pinky?

    Pinky Rose: I didn't steal your car. I borrowed it.

    Millie Lammoreaux: You did not. You didn't even ask.

    Pinky Rose: Couldn't find you.

    Millie Lammoreaux: You didn't try very hard.

    Pinky Rose: I tried hard.

    Millie Lammoreaux: You did not. You could've at least told Doris or Alcira of somebody. Who took you there to go in and get my keys?

    Pinky Rose: Tom.

    Millie Lammoreaux: Pinky, I had to call the police and everything. They're sittin' in there right not waitin' on me. They think somebody stole my car.

    Pinky Rose: They're sittin' in there, huh? Well, aren't you the lucky one?

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