A friend I haven't seen in more than ten years said to me, why haven't you changed at all? I smugly said, "Look or personality?" She was so kind, she blurted out, and she didn't change. We laughed together tacitly, unbridled, as if I had returned to the past, I had forgotten the cruel world that was spinning, and the old skin that needed to be tightened. Will the years treat me well? I follow elegance, romance, madness, love and hate, idealization for ten years. Maybe I'm old from the start, I've never been young. Perhaps, I have always been young, otherwise, the irritable character of "quick-eyed and quick-handed" will not be so prominent, and I will not be so angry when I see rudeness and rudeness as a sideshow of personality, and I will not be so disgusted with stupid and arrogant ugly. Of course, there will always be maturity and old age. At that time, I hope the still water flows deep. When I say the eyes are quick and the hands are fast, I mean that when I saw "I'm Not Afraid with You", I thought it was "Don't be Afraid with Me", and then my imagination caught up: This is exactly the story I know, it seems to be real The incident was adapted into a movie, which was inspired by the famous French photographer Marc. Lu Bu's family documentary novel, a warm inspirational drama about his wife and mentally handicapped daughter, hurting and healing? I made a preconceived judgment, followed by two seconds of hesitation, whether to watch or not. As a result, the behind-the-scenes scenes were like a small whirlwind, magically swept away the immediate imagination in my mind, and I was sure that I was wearing the crown. What was presented in front of me was another mysterious and strange novel. The first impression is very good. The idyllic scenery covering the entire screen makes people smell happy, and the images that can bring sweet memories can give people the most primitive satiety satisfaction. My vision has been poured with reinforced concrete into a powerless dull color, the color of the field, whether she is green, golden, or earthy, she can evoke my fascination with life, the revisiting of beauty and The old tour is a kind of repair to the spiritual home. A little bit that fits my previous associations, it's still a movie about children. The background is a small village with only five or six families in southern Italy. The message revealed is that it is primitive and free, but poverty is inevitable. Poverty also means that the opposite of its kindness and simplicity is also dull and cruel, and it is easy to push people and things. To the dangerous cliff, the screenwriter really concentrated the characters and the story together. Led by a real executioner "Yankee", with the help of adults from the whole village, Philip, a 10-year-old boy, was kidnapped and hid in a cellar in front of an abandoned house in the village. The adults in the entire village participated in this crime. This is the most subtle part of the infinite release of the "tension" in the story itself. It swept the ethics of human nature and swept away various social problems. There are few reasonable explanations of human nature, and the more you dig, the darker you get. In addition, it seems to confuse people in the simple and violent survival law, like Michelle's father holding a "headless matchstick" twice, So decide a result, make a choice in life. As far as the audience is concerned, the later drama is the effect of the "Möbius strip", which cannot be explained clearly, but there must be an explanation. He went to shoot little Philip, his son Michelle became his prey, the white light burst on the shady screen, karma was reincarnated, good and evil retribution, the legal net was full, and he would not neglect him when he needed it. In fact, such a bloody truth slept in the clear eyes of 10-year-old boy Michelle, and the whole play approached the terrifying truth in his childlike running. His perspective and his feelings lead the audience to see the kindness, wit, courage and hope that can comfort people, a sanitized scene of life. Michelle will definitely rescue the little boy Philip, who was imprisoned by his father and his uncles, but the emotional foreshadowing that was so tight and turbulent before is not something that all types of stories can achieve. The screenwriter's insight into the goodwill of children's inner world, and adults' desire for innocence seem to be everywhere. Therefore, the narrative perspective of children and the crime theme of rescuing the kidnapped children, shown in this play, looks more like a fairy tale of the truth, the goodness and the beauty being told by the grandmother sitting in the rocking chair under the night light. However, in the process of expressing the sin of hiding shadows and hiding shapes, the equator and the poles are unexpectedly different colors. What is even more impressive is that the beautiful innocence is framed in the grass-colored smoke and rendered to the extreme. , it is a beautiful scenery, a calm lake surface, and it reflects the good, evil, beauty and ugliness in the adult world from beginning to end. Borrowing the morphological difference between day and night, everything is divided into AB faces, children and adults, innocence and city, guardian and slaughter, angels and demons, and the categories are divided into two camps of "justice" and "evil", a simple but not trivial symbolization The intent is evident in the way the plot story is conceived. But you don't end up seeing heart-piercing scars, which may be the benefit of seeing the world through angelic eyes. The endless golden wheat fields, the wheat waves in the autumn wind shake the charming hula dance, the farm dolls shuttle in the ignorant time, running and competing to simulate the rules of the game in the adult world. Sadness, like the evening wind from the helicopter chasing the guilty person at the end, and the little boy laughing in the wind, such brisk pictures and music make the movie story without the heavy and elongated shadow. After the story is told, both Michelle and Philip will survive, and the adults who have to take responsibility should be called out to reprimand. After watching the movie, I'm going to find Nikolai. I read Amaniti's novel of the same name. After only turning a few pages, it has been deeply touched. The depiction is delicate, fragmented and vivid, but not overwhelming, and the childlike interest is vivid on the paper. The book review is really apt: "The world of children, pure and free of impurities, is enough to make all darkness collapse."
View more about I'm Not Scared reviews
