Who care of the plot or something!
Michael is the number one thug of Di Ge, absolutely loyal and obedient. Since his father disappeared, he has devoted himself to the hard work of finding him. For this reason, we inadvertently watched the American version of "Where Are We Going, Dad"; finding and protecting Chosen One is nothing but a matter of A part of the long road to find his father, he doesn't care what method he uses
. Alex, who is Chosen One, is actually just a tool for Michael. Michael probably doesn't have more affection for him than Becca - if it makes any difference I'm sorry, but there really wasn't much to show for the entire first season.
Alex has lived in Vega for 25 years, but he has no sense of identity with the city at all, and is always thinking of escaping. It has to be said that the archangel, the guardian of the father, failed to educate Chosen One. Maybe Michael doesn't care what a mortal like Alex thinks at all (and thinks that the godson will eventually follow the path he set), or maybe he is too naive and doesn't realize that people are the most selfish creatures - in the season finale , Michael finally suffered for this.
If I want to use this to show that Michael has no understanding of human nature, I would say, well done!
From the loose and careless education of young Alex to the wonderful combat training of young Alex, Michael actually used a method that we mortals don't quite understand.
I really wonder if the actor will shut the door in the room and yell at the writer for being a weirdo after they get the script.
Almost all of Michael's plots have a strange sense of incongruity. I don't know if this is a problem with the script or the editing. The whole play often makes Michael act very abruptly, or express emotions abruptly, or Stuck into weird and abrupt conversations: like EP1 sees the tattoo on Alex's arm and gets down on one knee - approval? Or some ancient custom that I don't understand? For example, in EP3 Michael took Alex back to his childhood home, but he burst into tears for some reason - why did his grief come from? If it is for Alex, it is unnecessary; but if it is for Jeep, it can be said in the past - so the Archangel Michael's favorite human is not his son Alex, not his friend Becca, but his obedient friend Jeep, right? —Or maybe second only to Gabriel.
Another example is EP8, the dialogue with Gabriel who was imprisoned in a special cage. That part of the memory of the brotherhood at the beginning of life is very good, but it is also very strange, as if it was inserted forcibly. Dialogue - and then the writers make Gabriel do the same thing: talk too much. The busy Gabriel not only did it again to inform the angel, but also informed his brother that their other brother was being tortured by humans.
The same message that could be expressed in a better way, still hurriedly expressed in dialogue.
Really save money.
But really can't stand it!
Gabriel, what about your stinking style (saucy) style (tone)? I'm so happy to see my brother, so I don't want any bully demeanor, right? !
Then Michael went to look for Louis. His coquettish position, his stern face, and his unstoppable arrogance deeply moved me. Except for some fragments in the previous seven episodes, Michael's whole non-human performance is not very similar to the last and final guardian angel of the end-time human beings. He doesn't care about ordinary humans, doesn't care, doesn't understand, it seems that the whole person is introverted. There is a sense of alienation from the outside, and it seems that it is still the cruel angel who stands far away from the clouds and overlooks the world. If you know a little about the actor, you will not be surprised to find that the actor himself is the type who exudes a sense of alienation from the inside out: Gao Leng , non-human, absent-minded, never gets his point -- he can't get anyone else's point either.
So, Tom Wisdom is actually playing in his true colors, right?
I have to give credit to the casting director of this show, you made the audience rediscover him.
Then, let's take a look at the exciting Michael's Wrath.
As a miraculous eight episodes without a climax, the screenwriter was able to write the Archangel's Wrath, which was barely the climax of the whole drama, even though the whole person was sleepwalking. I really don't know whether to give a thumbs up or a draw They had a meal.
For Becca, Michael probably couldn't talk about love either: do angels really understand what mortal love is? The love he knew was probably loving his father, his brothers and sisters, and there was no extra love to share with humans. Michael probably regarded Becca as a "somewhat trustworthy human being than other mortals", "Maybe this time I should try to trust mortals", and gave him trust, but she did not hesitate to betray his trust, and personally put the trust of Becca. His brother was a guinea pig. Michael's wrath is not only distressed for what happened to Louis and other fallen angels, not only because he had to end Louis' life on earth, but also the shock and anger of suddenly finding out that he had been betrayed - you see , you don't even bother to explore such things as human nature, now you know it's amazing, right?
You know nothing.
Human beings are best at betrayal, but stabbing in the back.
All humans hate angels.
All strife is only in the service of interests.
So, Michael, quickly tear off the bondage that you pretend to bind you, put aside the redemption theory that the flying immortals suddenly and bluntly inserted in the sky, obey your true heart, kill him and make a river of blood, and be your great master. Archangel!
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