However, Imaishi Yangzhi does not stop there, and KLK Imaishi Yangzhi, who is after the angel of the garter socks, once again uses this simple and rude way to interpret the open-mindedness of the characters.
In KLK, Imaishi Yangzhi uses the title of each episode and the ED to reveal the girlish mood of the heroines to metaphorize the other side of the girly feelings in the main film. The plot in the main film is also based on The title is combined with the open one, focusing on fully shaping the character's character. Expressing feelings to us is something that is unknown and cannot be expressed. This is also different from other romance animations. It uses too many mirrors to deliberately shape the explicitness of feelings. , In reality, we have many unknown sides, and sometimes feelings are really simple, and they don't need to be overly shaped to be more real.
In addition, too much emotional shaping will also slow down the fast-paced plot of this animation, which will greatly reduce the plot of the entire animation. Through this fast-paced expansion, the plot is sublimated step by step, allowing the audience to reach a climax with a passionate mood. It is also an essential element for burning.
However, KLK's fast-paced plot must be criticized by certain groups of people for insufficient emotional shaping of the characters Bad standards, but even the so-called meat, Imaishi Yangzhi can well bring this sense of shame into the burning to fully set off the so-called burning is so bold, there is no need to entangle all kinds of moods and limit yourself .
If your disgust with KLK just stays on the so-called fast plots and selling meat, I can only say that you can't follow the thinking of Imaishi Yangzhi, the thinking that is corroded by the works with the theme of pure love can't really appreciate this work Glamour, such fast-paced productions are not for you.
Now there are not many good works, and it doesn't matter if they are not understood, but some people criticize the quality of this work with such an ignorant mentality. How much do you seem to understand?
Of course, the biggest highlight of KLK is that the character modeling and storytelling maintain the consistent excellent style of Jin Shiyang, as well as the development of the relationship between the characters and the plot, as well as the atmospheric BGM of Sawano Hiroyuki and the plot that burns to the table. Matching, just these are enough to prove that KLK is an extraordinary work, plus the expression without losing the connotation of the whole work, it can be said that KLK is a rare show.
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