John Cusack became a seiyuu, and he sacrificed himself for justice within a few minutes of his debut, which is jaw-dropping! The overall suspenseful color of the film is not strong, the rhythm is also slightly protracted in the repeated dialogue between the two, and the setting of the plot content is also a lot of flaws: 1. Why not give the key to the children instead of hiding it like this profound? 2. How does the killer know the way to get the key, while the others don't? 3. What's even more funny is that, in order to get the key, why didn't the killer find the male protagonist to play on the piano alone, instead of choosing to use sniping as a threat at the concert to force him to submit? You must know that the male protagonist who has failed to perform will inevitably make mistakes after reappearing on the stage, and once he makes a mistake, the key will not appear at all. I don't understand! Quan Dang is the director's not-so-successful attempt to innovate the film.
View more about Grand Piano reviews