urban birder

Coralie 2022-09-03 03:11:03

When the modern state of production pervades the whole society and life is divorced from its own essence, it becomes a massive accumulation of landscapes, and everything that exists directly is only a distant appearance.
-

Debord John Frankheimer's The Birdman of Alcatraz, based on a true story, Robert Stroud, rebellious and irritable, was sentenced to 12 in 1909 for murder In 2008, he killed the jailer who prevented his mother from visiting the prison and faced life in prison. The turning point of his life came from his accidental discovery of an injured little sparrow. The careful care not only made the little bird's injury better day by day, but also gradually repaired his scattered mind and long-broken disposition. Prisons also found that allowing prisoners to keep birds would directly help reduce management costs, and they advocated it. Eventually, Robert Stroud became an internationally renowned ornithologist, the "Birdman of Alcatraz," experimenting in prison, medicating, and publishing monographs.

The word bird breeder reminds us of Beijing Renyi's play "Bird People" - a story about a group of urban "idlers" related to birds: the former famous Peking Opera actor San Ye, who is good at raising birds, is well-mannered when it comes to singing, reading and fighting. From time to time, he tells about the cultural connotation and bitterness behind the behavior of bird raising. He is the spiritual leader of a gang of birders. Humans and birds have built a mutual understanding, which has become a reversal of the reality of the decline of Peking Opera and no successor, and it is also the third master's rehearsal of an ideal world. Ding Paulo, a psychoanalyst who returned from overseas, tried to cure the mental illnesses of these bird farmers and dig deep into the various problems of the national subconscious, so he set up a mental rehabilitation center for bird people. In the end, the third master gave him a psychoanalysis in the way of "Bao Gong's trial", and staged absurd farces.

The relationship between the two kinds of "bird people" and the two kinds of urban bird farmers and birds can be compared to the two possibilities of "self-organization" of vulnerable groups: the former, with the attitude of "healing", cares for vulnerable groups carefully, and treats them with care. It is regarded as a means of guarding self-moral perfection; the latter, with the attitude of "cultivation theory", brings oneself and vulnerable groups into a scene of mutual encounter, and jointly builds a way to the unknown field. From the attitudes of two bird breeders towards birds, we can clearly understand: In Robert Stroud, the premise of personal value establishment is that birds are victims of diseases, and there is no possibility of their own cure, so they need people With the help of people, we can continue those basic survival guarantees; and in Sanye, the value of personal behavior lies in the realization of those unsustainable ambitions in people from the bird. With his careful teaching, birds can be separated from their natural life attributes, and under a series of disciplines in line with aesthetic connotations, they have become famous names sought after by bird breeders. Simply put, it is "people are after birds", not "birds are in need of people".

View more about Birdman of Alcatraz reviews

Extended Reading

Birdman of Alcatraz quotes

  • Robert Stroud: Why did you come 2,000 miles for nothing? Just to see me once a month?

    Stella Johnson: I came because I'm your wife, that's why. Bob, the only life I got is you.

    Robert Stroud: Then you've got a damned poor future, old girl. I'm never gonna get outta here.

    Stella Johnson: I could get a job in a factory. I could write letters every day. It would be like old times.

    Robert Stroud: You'd wither away and die waiting. Forget it, Stell. It's the end of the line.

    Robert Stroud: Please, Bob.

    Robert Stroud: Now, listen to me. Listen carefully. You fought your heart out for me. You fought your heart out for me, but the sun's gone down. And don't look for it to rise again. I want you to pretend that I'm a dead man. I want you to pretend... that you're standin' on my grave.

  • Harvey Shoemaker: Bob... I've been sent here as a delegate of the Bureau to make you an offer.

    Robert Stroud: That's what I've been waiting for.

    Harvey Shoemaker: Now the bureau is willing to let you keep your birds. You can even sell 'em. Now this is their official proposal. You can continue to raise and sell the birds, but the profits will be turned over to the prison welfare fund, and you will receive a salary in the form of a share of the profits. I consider that quite a generous offer under the circumstances. Frankly, it's more than I would have offered, had I the authority.

    Albert Comstock: Well, Stroud?

    Robert Stroud: Let me see if I understand you. You're proposing that the United States government go into the canary-bird business. That's against private enterprise. You sound like a Bolshevik, Harvey.

    Albert Comstock: You have no legal right to raise canaries at all.

    Robert Stroud: I know. Rule 60 of the Federal Bureau of Prisons Manual: "An inmate cannot be permitted to operate a business, no matter how legitimate, while in prison." That right?

    Harvey Shoemaker: You quoted it correctly.

    Robert Stroud: That's what I thought. That's why I'm confused. The rule says I can't have a business. You say I can, provided I give you the profits. It's reinventing regulations. It's not like you.

    Albert Comstock: Mr. Shoemaker came all the way from Washington to try to work out a plan so you can keep your blasted birds.

    Robert Stroud: Don't con an old con, Warden. He came because of public opinion, and you know it. 50,000 signatures on a petition. Congressmen jumping all over MacLeod's back. I think I got you over a barrel, Harvey.

    Harvey Shoemaker: Is that you last word?

    Robert Stroud: I could use more room. For my birds.