The man hooks up with three and four, and the woman goes out of the wall.
"Mr Selfridge" did not do too much cover up when it came up. The first episode explained that the actor Henry was unfaithful to his marriage. In the middle, Lady Mea, who liked the little white face, appeared, and at the end, it revealed the affair between Grove and Mardle. Later, with the development of the plot and the spread of the character network, we found that the dogs and men in the play are far more than just a few of them. The good thing about "Mr Selfridge" is that the plot and character background settings make them not hate, but more or less sympathetic, and the right jokes sometimes make people feel quite cute.
Episode 5 was my favorite of the season. Accumulating the foreshadowing of the first four episodes, conflicts broke out in a concentrated manner, each scene was handled very well, and the level of characters was significantly improved: when the painter and his wife were in a difficult relationship, they were caught by the young daughter and revealed to their father. Mr. Sai stood in the bedroom, The scene of frowning and staring at Mrs. finally made me realize that this is not Ari Gold with a beard, but Mr. Selfridge. Then Mr. Sai's former mistress, Ellen Love, came to the Sai Mansion and asked her mother-in-law for a showdown. The lady dealt with it gracefully and calmly, but when she turned her head back, her mother-in-law found out that she had already burst into tears. Then the audience will understand why she is Mrs. Selfridge. After that, the painting and flower delivery of the two were also very interesting.
But this episode, or my favorite episode of the entire season, has to be the hero and heroine scene where Henry Selfridge goes to Agnes Towler and says to her, "Is he in the house now? Let me go talk to him. ."
Male protagonists with "father issue" have long been commonplace in film and television dramas. But this line still made me feel a certain power, and dozens of times stronger than his employee motivational speech on the stairs, Henry Selfridge, a character who was often defeated by his mistress, suddenly grew taller.
In the second half of the next part, it feels as if the writers are deliberately limiting the opposite scenes of Henry Selfridge and Agnes Towler, so that they can maintain the relationship between teachers and friends from beginning to end. I am disappointed in this. The male and female protagonists are not together, so how can it be in line with the spirit of the dog and the male in this play.
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