You cried and said to me: You can't choose who you love.

Javon 2022-02-03 08:12:16

Why do so many people see the love at the end, but not the helplessness behind it.
After tossing and turning for so many nights, the ending scene was full of joy, everyone was smiling, but you couldn't hear the sigh in your heart.

George: Dr. Jolly, I love you, but you don't like me
Nina: George, I love you
Vince: Nina, I love you, I'm your baby
Rodney: Paul, I won't say I love you
Lousis: Nina , can you think about whether I have a chance to love you

and then George and Paul are happy together, everyone else is smiling and blessing, Nima, this is a big reunion? Heartbreak is turned into vibration mode, can't you see the chrysanthemum is full of injuries?
There is a line that is the most precise, You can't choose who you love--you can't choose who you love. For a moment, I remembered that Jack turned his head with tears in his eyes and said, "I wish I knew how to quit you.
Love is love, not love is not love, for George, for Nina, for the poor supporting cast, even with George's gay identity. It doesn't matter, all kinds of labels have faded away, and what you can see is the most primitive, instinctive and mysterious emotion of human beings.
You can't choose who to fall in love with, it's like knowing that the other person is gay.
It's hard for you to let go of someone easily, even if the other person is a scum like Qiao Li.
Does love have torment?
Maybe you and I want too much...

I don't understand why I chose the name "play hard to escape", The Object of My Affection - the person I love (or my rare object) is obviously very good, this kind of faint The worrying rush is the aesthetic orientation of the film.
Beautiful, but full of regrets. On the surface, the wind and waves are calm, but in the bottom of my heart, it has long been vicissitudes.
The cast is so well-chosen, the young Paul Rudd looks pure and vulnerable, and the tearful and heartbroken look of his tearful eyes and heartbreak when he and Qiao Li quarrel in the street is really sad. When the relationship is going well, the sun is bright and gratifying. I don't know why, but there's that warm feeling about him, like seeing him in Friends, that it's reassuring to put Phoebe in his hands, and it's not because he was at that time. It's not so delicate anymore - maybe it's his eyes that haven't changed for so many years.
I've watched Paul sitting under the lamp at the door waiting for Nina to come home several times. He smiles at the nagging Nina, a smile as warm and touching as the light, and then takes her things and pulls her up the stairs. The director put a lot of thought into making you think they are a perfect match, and then give you a sharp turn when you even feel that the bend is really straight (you have to believe in love), a confession after the most beautiful dance, dramatic conflict At the climax, the gorgeous dream instantly vanished. Without crying loudly, Nina's tears remained silently drop by drop - in fact, such a woman is the most heartbreaking and heartbreaking.
When the child was born, he was still sitting on the head of the bed smiling so beautifully, but all the beautiful bubbles that Nina had imagined in his heart were gone. Such a beautiful scene, warm tones, but Nina's eyes are full of helplessness after heartbreak. I can't see anyone who is abusive. I really watched this movie in vain... The
director told us with an ending that life has to go on, George wasn't wrong, Nina wasn't wrong, no bickering, no crying because no one was to blame. Take care of yourself and smooth the wounds, but there is a feeling that it will always stay in the bottom of my heart.
The child said innocently, "There are so many people who love me." You are so happy, because your mother, your Uncle George, and all the supporting actors have all given you true love.

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Extended Reading

The Object of My Affection quotes

  • Nina: Head up young person.

  • Dr. Robert Joley: Are you okay honey?

    George Hanson: How did we get back to the "honey" stage so quickly?

    Dr. Robert Joley: Maybe we never should have left it.